Luc Learns to Share

by Melodie Miller © 2024
Le titre de mon histoire est Luc Apprend à Partager. Cette histoire est une lecture pour débutante français. Je suis débutant dans l’apprentissage du français.
The title of my story is “Luc Learns to Share.” This story is beginning French reading. I am a beginner in learning French.
Luc est le personnage principal du histoire. Il a dix ans. Il est un souris grise et brun.
Luc is the main character of the story. He is 10 years old. He is a grey and brown mouse.

The image of Luc is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
La région de mon histoire est la Suisse, dans la ville de Berne.
The region of my story is Switzerland, in the town of Berne.

The image of Luc’s village is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
La famille de Luc est très grande.
The family of Luc is very big.

The image of Luc’s family is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Le père de Luc est professeur. Le père de Luc lui a appris à partager.
The father of Luc is a professor. The father of Luc taught him to share.

The image of Luc’s father is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
La mère de Luc est professeur. La mère de Luc lui a appris à partager..
The mother of Luc is a professor. The mother of Luc taught him to share.

The image of Luc’s mother is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Et son village aime partager avec tout le monde.
And his village likes to share with everyone.

The image of Luc’s village is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Mais, Luc n’aimait pas partager. Alors, Luc est allé dans la grande ville.
But, Luc did not like to share. So, Luc went to the big city.

The image of Luc in the big city is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Sa famille était triste.
His family was sad.

The image of Luc’s family is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Mais, Luc est heureux. Il rêve de ne pas partager sa nourriture.
But, Luc is happy. He dreams of not sharing his food.

The image of Luc is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Il rêve de manger tout le fromage seul.
He dreams of eating all the cheese alone.

The image of Luc is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Il pense qu’il y a beaucoup de nourriture dans la grande ville.
He thinks that there is a lot of food in the big city.

The image of Luc’s imagination of food in the big city is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Mais, quand Luc est allé au magasin pour trouver de la nourriture, un homme l’a chassé. L’homme n’aimait pas avec Luc.
But, when Luc goes to the store to find food, the man chases him. The man did not like to share with Luc.

The image of Luc and the store keeper is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
L’homme dit “Pas de souris autorisée.”
The man says “No mice allowed.”

The image of Luck and the “No Micse Alowed” is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Luc a appris qu’il doit partager pour avoir des amis.
Luc learns that he must share to have friends.

The image of a sad Luc is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
Luc a appris à aimer partager parce que qu’il adore ses amis.
Luc learns that he likes to share because he loves his friends.

The image of Luc is generated by Microsoft Copilot (Melodie Miller / AI Prompt Engineer)
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Sunflower Farms: Radio Script

Sunflower Farm, Longmont Colorado (Melodie Miller / Photographer)
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Super-Frog Saves Tokyo: A Classical Dream Vision Narrative
An analysis of Haruki Murakami’s Super-Frog saves Tokyo written by Melodie Miller.

Super-Frog Saves Tokyo illustration by PMGL (Courtsey of Amazon Books)
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages.
- https://en.wikipedia.org/wiki/Haruki_Murakami
- https://en.wikipedia.org/wiki/Drive_My_Car_(film)
- Norwegian Wood (1987)
- The Wind-Up Bird Chronicle (1994–95)
- Kafka on the Shore (2002)
- 1Q84 (2010)
- Men Without Women (2014)
- The Elephant Vanishes (1993)
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The Story of the Western Wing: Breaking Tang Tradition
The West Wing, a play written by Wang Shifu (1250-1300) in the Yuan Dynasty.

Scenes from The Story of the Western Wing, National Museum of Asian Art (Courtesy of The Smithsonian)
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The Story of Ying-ying: Strange Love
A timeless story of love where social expectations conflict with personal desires.

Scene from Romance of the Western Chamber, an opera inspired by the story of Ying-ying (Illustration of act 10 courtesy of Wikipedia.org)
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Humans are Synonymous with Monsters in “Monster Takes a Bride” (1807), Ikku Jippensha

Original 19th century Japanese Woodblock Print The Monster Takes a Bride, 1886
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Syntax in Shakespeare’s Sonnet 20 “A women’s face with nature’s own hand painted”
An exploration of the poet’s depiction of nature and beauty.

The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. Attributed to John Taylor. (Courtesy of Wikipedia.org)
Read more about Shakespeare’s Sonnet 20 “A woman’s face with Nature’s own hand painted”
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The Frozen Castle, a Murderous Tale

The Frozen Castle created in Microsoft Copilot by Melodie Miller
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The Elbow Room
Melodie Miller ©
The Elbow Room is a situational comedy series set in 1984 at the birth of tech in Seattle, Washington. The Elbow Room is a fictitious bar on a Washington State Ferry where young commuters hang together during their battle to and from Bainbridge Island to their jobs in Seattle. Their friendships exist only inside the world of their commute and every effort is made to keep their personal lives separate from their ferry boat adventures.



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The Decline of Hunting in the U.S. and the Threat to Wildlife Conservation
According to the archeological dating of the Morocco Jebel Irhoud animal fossils and the Homo sapiens who ate them, humans have hunted game animals for over 300,000 years. Although humans are omnivores, they did not start farming until 23,000 years ago, according to the Ohalo II archaeological site in Israel. This means that humans needed to hunt for 277,000 years for food security.
Kelly Maher, an avid Coloradan hunter and mother, said part of her family ethic is “we hunt to eat and we eat what we hunt.” During the Covid 19 shutdown, her family ate deer meat stored in the freezer from the previous hunting season. Maher said she believes hunting is a core part of “understanding our place in the world.”

Data from All About Bison. https://allaboutbison.com/national-mammal/
American wildlife suffered at the end of the nineteenth century from mismanagement, according to the Audubon Society. The bison population had diminished from 60 million to 300 in 100 years due to lack of management and overhunting according to All About Bison. Together, President Theodore Roosevelt, George Bird Grinnell and John Muir along with the Audubon Society, established a conservation movement to preserve nature.
Roosevelt, the “conservation president,” used his authority in 1906 to protect public lands and wildlife by creating the United States Forest Service (USFS). This service established 150 national forests and 18 national monuments through the American Antiquities Act. This act protected over 230 million acres of open public space for citizens of the United States use.
With the advent of city living, increased public criticism, and reduced barriers to food security, hunting has declined in the United States. The decline of hunters is problematic state-wide for wildlife conservation efforts that depend on funding from hunting license sales.

Source: 2020 U.S. Census Demographic – City density
According to Wildlife for All, between 1960 and 2020, hunting license sales increased by 2 million or 13.5 percent. The U.S. Census Bureau (USCB) reports that the population increased by 152 million or 84 percent. Although the number of hunters increased, it dropped from 7.8 percent of the population in 1960 to 4.8 percent in 2024.
The U.S. Fish and Wildlife Service manages nationwide conservation funding through the collection of hunting license revenue and firearms and ammunition excise sales tax from each state. The funding is distributed back to the state parks and wildlife departments that manage public land conservation and animal populations.

Sources: U.S. Census Bureau. Wildlife for All. U.S Fish and Wild Life Service Hunting licenses issued between 1960 and 2020 compared to the U.S. population.
“There are 180 hunting units that Colorado has divided into Game Management Units (GMUs),” Cody Heneghan, a hunt planner for Colorado Parks and Wildlife said. “These units designate which part of the state your particular license permits you to hunt in.”
Hunting licenses for Colorado’s Western GMUs with higher elk populations are in high demand with a limited number available per year. A hunter must apply for these types of licenses through a “big game draw,” or purchase a leftover license after the draw if one is available.
“I’m not hunting as much now because the last time I bought a license, it was in a unit with a low population and I didn’t get an elk that time,” Wally Light, a 21-year-old hunter said. “It was a lot of work without a payoff. It didn’t seem worth it.” According to Colorado Parks and Wildlife, the Federal Bureau of Land Management (BLM) manages 8 million acres of public land in Colorado. However, non of the 23,000 acres of open space and trails in rural Pitkin County are open for hunting. Open space hunting in Pitkin County Colorado is prohibited according to the Pitkin County Open Space and Trails program. However, private land is huntable with permission.
But private land is diminishing. In January, Pitkin County Open Space and Trails Board voted unanimously to purchase 650 acres of private land in upper Snowmass Creek Valley to reclassify it to BLM open space.
According to wildlife advocates, limiting hunting units in Colorado become problematic for wildlife management. “Management of ecosystems is important,” Maher said. “By virtue of the fact that humans are here, we must manage this system” to ensure the well-being of animals and the environment.
Between 1970 and 2000, hunting license sales revenue increased from $600 million to $1.1 billion according to The U.S. Fish and Wildlife Service reports. However, revenue remained stagnant over the next two decades.

Sources: U.S. Fish and Wildlife Service. Congressional Research Service. Hunting license sales revenue and federal excise tax collected equally $2.2 billion in 2024.
Data from the Congressional Research Service reports that between 2017 and 2022, excise tax collected from the sale of firearms increased from $600 million (inflation adjusted) to $1.1 billion due to increased sales during the pandemic but not to sales for hunting equipment. However, funding from the U.S. Congress has decreased since 2015.
Hunting is an integral part of maintaining a stable deer and elk population. Lands maintained by hunting license revenues distributed by the U.S. Fish and Wildlife Service are more likely to support natural wildlife.
The “availability of food sources in the wilderness is a factor in monitoring the population,” wildlife advocate Mark Surls said. This becomes a closed-loop, sustainable ecosystem.
The U.S. Fish and Wildlife Service operating budget, is partially funded through congressional appropriations. In 2024, the operating budget was $4.1 billion with $1.722 billion allocated by the government and the balance coming from grants, excise tax revenue and hunting license sales.

Sources: Congressional Research Service Funding requested to manage Fish and Wildlife Services, and congressional funding enacted to finance conservation in all 50 states and 16 territories.
Public opinion contributes to the hunter’s image in the U.S. On Nov. 5, voters were given a choice through “Cats Aren’t Trophies” Proposition 127 to decide whether Colorado Parks and Wildlife would continue to manage the mountain lion population by issuing hunting licenses.
“Hunting deer is fair chase,” wildlife advocate Carol Monaco said. But hound hunting “mountain lion is cruel.” It isn’t helping anyone and “very few big cats are dressed for consumption. We need to learn to coexist with wildlife.”
Surls advocates that hound hunting is unethical and should be removed from the hunting license options because “it gives our hunters a bad name for violations of fair chase,” integrity in hunting.
Some critics combine hunting for food with “trophy hunting.” Trophy hunting is hunting wild animals for sport and keeping body parts for display, not food. Mesa County Commissioner Cody Davis commented that this type of rhetoric is needless with an “end route to limit hunting” and “trophy hunting is already illegal in Colorado.”
Proposition 127 aimed to remove mountain lion population management from the Colorado Parks and Wildlife. In Nov. 290,000 voters rejected the proposition. In a compromising effort at a public engagement meeting critics of mountain lion hunting demanded that “guaranteed kill” be removed from hunting outfitter’s advertising because it is illegal in Colorado and a violation of CPW’s policy.

Source: Ballotpedia Colorado Proposition 127 to Prohibit Hunting of Mountain Lion was rejected by Colorado voters, allowing Colorado Parks and Wildlife to continue managing the population.

Source: Ballotpedia. Colorado Proposition KK, Excise Tax on Firearms was passed by Colorado voters, adding 6.5% excise tax to firearms and ammunition sales.
“We want to work with Colorado Parks and Wildlife,” Monaco said, “in every way so they can do their job” managing wildlife population.
As hunting license sales decrease, U.S. Fish and Wildlife Service funding must be replaced with a new source. Hunting licenses are an important source of revenue.
“Colorado Parks and Wildlife are brilliant at managing the wildlife population and it should stay that way. It is a scientific method of conservation,” Davis said
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A satirical description of K. Marx School of Business, MBAC 61984 Course Syllabus
Satire
When did higher education become the enemy? This is a fictional breaking news release that relays the satirical course syllabus at a fictitious Marxist business school. This satire is written in response to commentaries claiming that Marxist culture is prevalent on U.S. college campuses.

BREAKING NEWS: Underground Marxist School of Business syllabus discovered in bike satchel of arrested political dissident. Mother claims “Literary Theory and Critical Thinking studies are turning my child into a monster.” Infiltration of Marxism on college campuses proven.
Course Syllabus
MBAC 61984 Business Strategy – Innovative Management of “Profit and Means of Production”
Restricted to The Vanguard members and Master of Business Administration Candidates dedicated to overthrowing the bourgeoisie capitalist class.
Location: “SIBERIA, Gulag 13,” in the Basement of Hellems Arts and Science Building
Class Time: 12:00 PM – 12:50 PM
Instructor: Ivan T. Errible
Office Hours: Mondays after dark
Email: commi@KMSB.eduInstructors Statement: Class struggle between the bourgeoisie capitalist and the worker stands as an iconic representation of human existence as illustrated by the continuous battle concerning the owners of the means of production and the labor power. Marx tells us that “work, thrift and greed are […] (the capitalists) three cardinal virtues,”[1] and hording is their primary goal. Workers do not own the tools or means of production. Therefore, this is an essental element in gaining control of both the labor time and surplus labor time, stripping the bourgeoisie of charms of creating profit out of nothing.
When the KMSB graduate worker emerges into the capitalistic business world, it may be difficult to find comrades in arms who will join the movement against the exploitation of the proletariat. However, as a future “leader” of the Vanguard,[2] it will become increasingly important to recognize the exploited workers through group meetings and demonstrate the opportunities by which the means of their profit can be reclaimed. This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement.
Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production
This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement. Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production.
[1] Das Kapital, Vol 1, Part 1, Chapter 2
[2] The Vanguard: the non-profit corporation of the KMSB proletariat movement, dedicated to avoiding taxes and operating with the use of free labor, donations from guilt ridden capitalists and state supported educational funding.
You may find, at times, that the origins of your ivy league social class lingers and unduly attempts to influence your path, however, do not let these past systems of thought conflict with the goals of the Vanguard. The Vanguard recognizes that the organization of capitalism, as Marx tells us is “vampire-like ,(and) lives only by sucking living labor,”[1] therefore it seems to muddle the socialists thinking. Believe me when I say your role in the movement will put a stake through the heart of capitalism by expanding democratic centralism and rule by all.
Additionally, through service to the philosophy of Marxism and the dictatorship of the proletariat, students in pursuit of eliminating growth and profit from the corporate structure will find this class leads to a full understanding of how to take control of the means of production by the newly established worker run apparatus.
Course Description: This course introduces students to the techniques of understanding reality, thoughts and emotions through the philosophy of Dialectical Materialism and the understanding of nature as a whole. Student struggles will be observed by the classroom collective and will be discussed in a joint ownership atmosphere with other students.
This course may not be taken concurrently with MBAC 71984 or 81984 and may not be repeated. A grade of “D” or higher in MBAC 61984 is a prerequisite for subsequent advancement in the Vanguard movement.
Required Texts and Materials:
Karl Marx, Das Kapital (1867),Engles, Marx, Communist Manifesto (1848),Kim Jung-un, Perfect Brilliance: How to Starve the Populus to Garner Loyalty
Office Hours: 1:30 am -4:30 am on Mondays located in Gulag 14, Hellems Basement (go down the east-west stairs until you reach the basement and turn left and walk in a circle until you hit the brick wall at the end of the hall). If you cannot make these hours, remember that increases in productivity results from cooperation, therefore these hours work for everyone.
Grade Distribution:
Agitating: 10%
Participation / Dissent: 25%
Book Burning: 40%
Recruiting: 25%Course Requirements:
Agitating Workshops: Probably the stuff you’re here for. We will perform agitating workshop readings, followed by play acting on a daily basis. You shall learn the exact words to use to gas light a crowd and cause law abiding citizens to act against their better judgement.
Each workshop will be done in groups where individuals will receive constructive critique of their power of persuasion and each round’s requirements will be provide on the day of practice. The grades for these practice trainings will be based on how quickly a student can agitated another student.
Participation / Dissent: You are required to do three participation and dissent activities and you will be given a chance to lead your own agitation rally. The length and location of the rally will be determined by the instructor. Whether the rally concerns disrupting the state apparatus or boycotting labor factories, dig in and try to find out what makes descension work. Do your best to be analytical. Outside academic cited sources should be used and are required.
[1] Das Kapital, Vol 1, Part 3, Chapter 10
Book Burnings: Most homework in this class will take the form of book burnings, particularly texts on democracy, freedom of speech, property ownership and voting rights. The specific book burnings will pertain to a counterrevolutionary piece we read that day. Your instructor may give you a creative prompt, something analytical to provide a catalyst for that day’s discussion and inspiration to begin the bonfire activities. I grade these activities on the basis of satisfactory completion of a collection of citywide book burning results.
Recruiting Activities: At times we’ll practice recruiting activities in class, to mainly test a few strategies and get us into the mood for the next event. Occasionally you will be asked to take home and flesh out your strategies, in which case they ought to be planned in great detail and executed in secrecy.
Final Portfolio: You will construct a final protest rally plan and recruit participants.
Attendance, Punctuality and Late Work: Successful work in the K. Marx School of business is dependent upon regular recruitment of comrades to support the plight of the proletariat worker. Students who are unavoidably absent should make arrangements with the collective to make up the time missed. Failure to attend class and activities regularly may result in receipt of an F in a course and food sanctions for you and your family.
Plagiarism: Everything you will need to know will be read in Das Kapital and the Communist Manifesto whose texts are well known. Plagiarism is not possible when only two books exist.
Policies, Accommodations for Disabilities: If you qualify for accommodations because of a disability, do not bother submitting an accommodation letter because it has already been predetermined that accommodations based on documented disabilities in the revolutionary environment automatically disqualify comrades from leading teams.
Religious Holidays: God does not exist.
Honor Code: All students enrolled in a KMBS course are responsible for knowing and adhering to the Honor Code of Das Kapital and the Communist Manifesto. Violations of the policy may include: praying, reading other books, thinking your own thoughts, lying about your thoughts, not accepting a bribery offer, refusing to threaten new noncompliant recruits, unauthorized access to alternative reading materials, dishonest clicker fraud, executing the same or similar agitation rally’s in more than one city without permission from the course instructors and most importantly, an unwillingness to inform on personal friends who own the means of production.
All incidents of misconduct will be reported to gulag guards who have a sixth-grade education and who happily bully any and all human beings, including women, children and infants.
Students who are found responsible for violating the Das Kapital and the Communist Manifesto integrity policies will be subject to death by poison.
Discrimination & Sexual Harassment: The KMSB remains committed to fostering intolerant acts of misconduct on the bourgeois class which includes assault, harassment, and stalking owners of means of labor. Individuals who believe they have been subject to retaliatory actions from a bourgeois owner of means of labor should report the incident to the Institutional Institute of Impartiality and Obedience (IIIO) and punitive action will be taken secretly in the dark of night.
Class Schedule
Subject to change based on classroom progress. Changes will be noted in class.Week One
M. 8/27 – Introduction/Syllabus – Read syllabus out loud and sign a pledge of silenceW. 8/29 – Direct Struggle
Have Read: Marx Das Kapital, Section 1 (all), Section 2 (all)
+ Marx “Letter from Marx to Engels” (1867).
+ Anonymous Proletariat’s “Grief and How to Project Your Failings onto Others”F. 8/31 – Division of Labor
Have Read: “Ford and the Assembly Line,” Chapter 3 (pg. 55-61) (Canvas)
+ Gehring, “The Use of Force and Dogma”
+ Stalin, “How to Talk to a Worker”Week Two
M. 9/3 – LABOR DAY, NO CLASS, “The instrument of labor (in) the form of a machine […] becomes a competitor of the worker,”[1] therefore, burn a factory today.W. 9/5 – Production, Distribution and Consumption
Have Read: Henry Ford’s, People as Machines, Chapter 6 (pg. 167-175)
+ Walt Disney, Building a Psychological Utopia, (How to fool all the people all of the time.)
+ Tolkien’s The Hobbit, Ch. 1 (How to recruit the unwilling with false promises.)F. 9/7 – Consumption
Have Read: George Wallace’s “Incarnations of the Burned Worker” (179-181)
+ Poe’s “Tell Tale Heart,” (How to hide victims of book burnings.)Week Three
M. 9/10 – The Antithesis of Use Value and Exchange Value
Have Read: Hapsburg “The Czar’s Ghosts and their Jewels” (Lessons in how to use the trappings of the bourgeois to fund propaganda and agitation.)
+ Marx “The Poverty of Philosophy” (1847)W. 9/12 – Democratic Centralism
Have Read: Das Kapital, Section 1 and 2, (again), (This is the most important page in the book.)
+ Poe’s “The Fall of the House of Usher,” (Lessons in how to drive bourgeois friend’s mad.)F. 9/14 – Workshop Preparation (Wear clothes and shoes you are willing to burn.)
Turn in: FIRST BOOKBURNING REPORT
[1] Das Kapital, Vol 1, Part 4, Chapter 15
Week Four
M. 9/17 – Religion and Wives Tales (Reasons to not waste time reflecting on spiritual ideals.)
Have Read: Moscow Institute of Scientific Atheism, Chapter 9 (Pg. 1)+ Lenin’s “How Religion Deprives People of “I” (Canvas)
Week Five
M. 9/24 – Group Agitation Workshop (Bring tools of disruption, e.g. baseball bats, hammers.)
Have Read: Das Kapita,l Chapter 1, (again)+Kim Jong-un’s Propaganda and Misinformation Handbook
Turn in: Agitation and Propaganda Rally Agenda, first draftFINALS WEEK
Submit Agitation and Propaganda Rally Operation, final Time/Place TBD.Click these links to understand how Marxism and Marxist terms are used in the media.
- https://www.theguardian.com/news/2015/feb/18/yanis-varoufakis-how-i-became-an-erratic-marxist
- https://www.heritage.org/progressivism/commentary/the-root-cause-the-insanity-college-campuses-older-you-may-think
- https://alyesque.medium.com/the-university-is-not-our-friend-2e6dfdecf0bc
- https://www.cla.purdue.edu/academic/english/theory/marxism/terms/
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The Nationless State of Junktopia
A reimagining of Chris Marker’s Junkopia, short film shot in the Emeryville Mudflats of northern California. Story written by Melodie Miller.
I walked with hesitation down the path towards the Junktopia Alter, a place of worship that guarded The Great Bridge.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
A montage of artifacts walked the pathway without moving a muscle. The longitude and latitude flashed transparently in the heads-up display of my spectacles.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I imagined the smell of lavender hovering in the bay.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
In the distance the Bridge stood colorless, in need of recognition of its emptiness.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The memory hurled me to the day The Great Bridge almost collapsed.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
The eyes of the unconscious biplane looked oppositionally at the myopic cockatoo that sat on my shoulder.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
My bird recognized the fascist symbol painted on the wheel of the biplane as a warning to go no further.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
My amygdala said “Run!” but I persisted onward.
In the distance the Junktopia Alter remained its original color of distressed and burnt Tuscany auburn; looking like it was primed for a top coat of blood red paint.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I thought of Catch 22 and its airplane that flew detached from the war without Yossarian on board who was long dead as a character and forgotten by middle school teachers and students.
Along the path, a false messiah perched in a lifeless tree called to me longingly, beckoning for an apostle to gather a flock of followers.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
Her fuchsia and dark black mesh wings, torn and ravaged, desperately flapped in the turbine powered mechanical wind of capitalistic rule dominating the newly formed nationless state of Junktopia.


From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
In the distance, the lime, swampy grasslands filled with abandonment stood as shelter for the birds that no longer could fly. The decibels soaring from the speakers increased, projecting the vibrational reminiscence of the biplanes menacing history preparing to drop its deadly cargo on the unsuspecting living things resting below.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I approached the alter and the vacant, ornamental glass bottles that guided the unlighted path began to shatter from the sonic sounds spilling overhead, the speakers positioned ubiquitously on the bridge.
Jagged fragments threatened my jugular while the unsympathetic marsh called to me with a menacing howl.
One, razor sharp, ragged edge of a fragmented bottle neck hung from the bridge rafters by a wire hangman’s noose; its rusted metal screw top like a decapitated democratic statesman, his fellow, screw top public servants looked on from the gallery.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
I had abandoned my map on the battlefield and my cell phone no longer recognized a charged. I felt lost although I was not.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The Republic now rests as fragments of shattered glass reflected as graven images in the birds eye.


From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The fascist symbol painted on the tail of the biplane, a relic of the final war, roared: “the number twelve,” with the sharpness of two major league football helmets cracking in collision. “The twelfth man,” it called out silently, a rhetorical souvenir of the war. “The fans did not offer a home advantage,” I shouted back.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
The weathered alter walls made of wooden fish bone skeletons were rotted from the salt sea air. I bowed down to the god of technology. The empty tin-soup-can minarets stood as apostates and a reminder that rations must be earned by the labors of my cellophane hope.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I waited for the signal to perform the requisite incantations. The white whisker entrails of the metallic stork swimming in the expansive future flapped in the mechanical breeze along with the Messiah’s wings. The five-feet tall, hand-made paper stork hovering nearby narcissistically mocked its own self-absorbed symbol of fertility.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
No one knew how or when the Kangaroos had arrived in Junktopia.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
But, like the nationless human inhabitants, they were there to stay, because no one else wanted them.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
Junkopia – A short film by Chris Marker | Screenshot courtesy of Criterion and Youtube
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Seattle Washington Union Bay Natural Wildlife Sanctuary
The road taken on a New Year’s day. A reimagining of Robert Frost’s The Road Not Taken.
The road taken down a mossy path on the first New Year’s Day.

Where two birds converged in a browny wood with a sigh.

Long I stood at the undergrowth.

The path was bent and gravely but it had the better claim.

Both were equal that morning but one was less traveled.

The other was fair and without leaves trodden bare.

Though the way leads to passing by and by.
Somewhere traveling ages hence, the one traveled made all the sense.

I regret there was only one road to travel.
But, one road was taken that morning and I kept the other for another day.

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The Gothtopian Island of Mont-Saint-Michel, France
A creative nonfiction experience.



Mont Saint-Michel, France (Melodie Miller | Photographer)
I paused along the moss-clad path to Gothtopia’s altar, where worship lingered like incense in the ghostly ruins of Saint Michel’s basilica in Normandy. The damp perfume of aged wood and stone breathed through the centuries, pulling my soul through time’s fragile veil. I stepped first into the monastic refuge of 966 CE—then onward into the cold, stone prison of King Louis XI in 1472.


Mont Saint-Michel, France (Melodie Miller | Photographer)
The spirits of the exiled citizens whispered, “Run away,” yet I pressed forward. In the distance, the unforgiving door stood resolute, its distressed, burnt Tuscan auburn frame glinting beneath a lacquered sheen of blood-red defiance.

Mont Saint-Michel, France (Melodie Miller | Photographer)
A procession of artifacts drifted down the path, motionless yet advancing, as if carried by memory. Coordinates flickered across the heads-up display of my spectacles—longitude, latitude, fragments of direction. I had left my map on the battlefield, and my phone no longer held a charge. Though I was not truly lost, the world had misplaced me.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The red lacquer door, a relic of a final warning, roared, “Open me!” Its cry rang like swords clashing in the hands of dying warriors. “The end is near,” it whispered in silence, the relic’s cruel souvenir. “The enemy offered no home advantage,” I answered, defiant against its echo.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The unconscious masters ignored the printed enslaved, who begged for release from the fabric that bound them. I saw in the image a colonial warning—a reminder not to forget the past. I thought of the forced integration that tore children from their former lives as they boarded those buses. Their spirits have long since vanished, erased as characters and forgotten by their teachers and the system that failed them.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Along the path, a messiah sat upon a fractured altar, her voice trembling as she called out for an apostle to gather the faithless flock. Her sword and wings—tattered, torn, and trembling—beat helplessly against the cold, mechanical wind of capitalistic dominion that had ruled over Gothtopia.

Mont Saint-Michel, France (Melodie Miller | Photographer)
As I drew near the altar, the hollow glass candles began to shatter under the prophet’s resonant cries. Razor-edged shards clashed around me. From below, the unfeeling Holy Mother wailed—a menacing summons that chilled the marrow of my faith.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Through the monolithic arches, I saw the basilica—its nave filled with abandoned chairs, now nests for birds that had long forgotten how to fly. The Benedictine monks of 1790 CE were driven from the abbey by the revolutionaries, who also abolished the lettres de cachet, sealing the end of an era in French history.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The altar walls, built from the skeletons of time, stood weathered and decaying beneath the assault of the salt-laden sea air. I knelt before the new god of technology, awaiting the signal that would permit the ritual, the digital incantation demanded by faith’s replacement.
Around me, green moss and a viscera of pollution writhed through the mechanical vastness of the future, twining with the Messiah’s torn wings. Nearby, a self-adoring granite gargoyle hovered mockingly, its once sacred symbol of fertility now a caricature of its conceit.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Razor-sharpened wrought-iron impalers stood in place like sentinels, their blackened stocks recalling the disappeared fallen heads of statesmen. The tattered public servants gazed on from the gallery, trapped in an echo of the past. Their ghosts, condemned to linger in the gallery, watch as history repeats itself. A vessel of broken time, the basilica endures its shattered moments. Her remembrance, reflected in graven images of the memory of Saint Michel and in the minds of the pilgrims.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The vacant wrought-iron bars framed a prophecy: our daily debts are the rations earned through the labors of hope, fragile offerings, easily crushed by a king’s will. Lettres de cachet once sanctioned imprisonment or death without trial within Mont-Saint-Michel’s shadowed Gothtopia. Yet, in bitter irony, this violation of justice preserved the abbey from utter ruin.

Mont Saint-Michel, France (Melodie Miller | Photographer)
As I turned to leave, the narcissistic ghosts gathered—unseen yet impenetrable—blocking the windows and door. They pulsed with vibrations drawn from the basilica’s menacing past, its walls still breathing history. One by one, the apparitions released their lethal cargo of memories upon the living below—those drifting through their holidays, blissfully unaware, unwilling to remember.
Mont-Saint-Michele, Normandy, France
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A Hawai’ian Creation Story
Story interpreted by Melodie Miller | Designer | Illustrator

Keawe the Flaming Spirit of the Volcano (Melodie Miller, Illustrator, Adobe Illustrator)

Po the Volcano and the Flames of Many Voices (Melodie Miller, Illustrator)
In the beginning there was Po, the all-powerful Volcano.

Keawe the Flaming Spirit of the Volcano (Melodie Miller, Illustrator)
And, Keawe, the flaming spirit of the Volcano.

Untimed Infinite Time Passing (Melodie Miller, Illustrator)
Surrounded by an abyss of empty darkness, together, they were alone.
One day Keawe, speaking his mind said, “Po, it is not good that I am so alone.”
“But we have always been alone together. It has always been our way. We are all powerful. We do not need another.” Po responded.

The Flames of Many Voices (Melodie Miller, Illustrator)
The Flames of Many Voices living inside Volcano echoed Po’s warning, speaking with crackling and slapping flames, “Yes, Yes, Yes. It has always been our way, way, way. We are all powerful, powerful, powerful. We do not need another, another, another.”
“But Po, I have no one to love.” Keawe said.
“Keawe, what is this word you say, Love?” Po asked.
“What is this word Love? What is this word Love? What is this word Love, Love Love?” the Flames echoed with the innocence of Many Voices, pushing and pulling at the walls of the Volcano.
Time passed.

Na Wahine and Keawe (Melodie Miller, Illustrator)
Po did not want Keawe to be lonely, so he created Na Wahine for him to love.
“Keawe, I am Na Wahine. I have been waiting, alone for a long time, inside your heart. I am here now to share your love.” she said.
“Why did you not come sooner?” Keawe asked?
“Because you did not call for me.” she answered.
Looking down upon Keawe and Na Wahine, Po said, “Together you will rule. And, it is good.”
Then with a rumbling of the Volcano, Po commanded, “From your love, bring forth life to help you govern the heavens and the earth; bring forth beauty and all things will be good.”

The god princes and goddess princess of Hawai’ian legend (Melodie Miller, Illustrator)
Through Na Wahine, Keawe brought forth four sons.

Kane the God Prince of Sky (Melodie Miller, Illustrator)
The first son was Kane, the god of the sky and all that it is.

Ku the God Prince of War and Peace (Melodie Miller, Illustrator)
The second son was Ku, the god of war and peace; and Kanaloa, the god of all things in and of the ocean;.

Kanaloa the God Prince of Ocean (Melodie Miller, Illustrator)
The third son was Kanaloa, the god of all things in and of the ocean.

Lono the God Prince of the Land (Melodie Miller, Illustrator)
The fourth son was Lono the god of the land and that which it brings forth, the harvest and its bounty.



The Flames of Many Voices (Melodie Miller, Illustrator)
Along the walls of the Volcano the envious Flames of Many Voices became angry and agitate. The Flames of Many voices felt alone because Keawe was not alone.
“Call for me. Call for me. Call for me,” the Flames of Many Voices echoed.
But Keawa did not answer.
Time passed.
“Four daughters will be yours,” Po said.

Laka the Goddess Princess of the Hula (Melodie Miller, Illustrator)
Your first-born daughter, Laka, will bring the hula, the language of the heart.” Po said. “Laka will keep the story; abide by her words.”

Hina the Goddess Princess of Sanctuary (Melodie Miller, Illustrator)
“Your second daughter Hina will give you sanctuary from danger, stand on her as a rock when in need.”

Kapo the Goddess Princess of the Lost (Melodie Miller, Illustrator)
“Your third daugher, hot tempered Kapo will govern furiously with her brother Kanaloa. Be remembered by Kapo when you are hungry and lost, she will feed you and lead you home.”

Papa the Goddess Princess of Nature and its Beauty (Melodie Miller, Illustrator)
The fourth daughter, Papa, “will rule all of nature with beauty beyond words. Anyone who looks upon her, even in her rage, will feel her power.” Po said.
Papas natural beauty will overpower the gazers senses, and none will find the strength to resist her.
“Once the beauty of Papa is gazed upon, she will enchant their heart forever,” Po said.

The Flames and the Goddess Princess of Nature and its Beauty (Melodie Miller, Illustrator)
The Flames of Many Voices gazed upon Papa and were stricken with love for her natural beauty, which was beyond challenge, thus they were lonely no more, They were enchanted.
To this day, anyone who looks upon the nature of Papa and the beauty of the Islands, will not have the strength to resist her love. Hawai’i will live in their hearts for eternity.
This is the creation story of the enchanting lands of Hawai’i, her captivating love and irresistible beauty.
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Sunflower Farm Founder Podcast

It was early morning on a crisp, cold, sunny Sunday in November on the 55-acre Sunflower Farm. Founder John Roberts fed wood to the crackling campfire to warm the Farmfest guests. Community members of all ages come to the sustainable farm to roam among the magical forest and farm animals.

The farm is a healing “resting place for the community,” Roberts said. You can come as a family “to mingle with others that you never would have otherwise met.” The farm creates connections and an “intertwining of community that I think is beneficial.”
Roberts earned a bachelor’s degree in English from Colorado Mesa University. He taught at a primary school in Moshi, Tanzania, Africa. While in Moshi, he observed the benefits of outdoor-based learning. “The students plant seeds in the spring. By the end of the summer, they see the benefits of their participation in the farm. “

The children spend more than half their learning time out of doors. They play with the worms in the dirt and “begin to understand where their food comes from,” Liz Napp, the executive Sunflower Farm and Sunflower Farm Acres, said.

The farm is like an outdoor living room where Roberts introduces his guests to over 100 farm animals. “When I lived in Washington D.C., I realized that spaces are important,” Roberts said. “Over the last 25 years, I’ve created spaces for visitors to experience different things,” while enjoying the farm.

In 2024, Sunflower Farm became a production farm with an educational vision to immerse children in nature, land conservation and farming. Jacob McGuire, operations manager of Sunflower Farm Acres, said the children are “getting more than just the curriculum” as they navigate the property. They are “participating in preserving nature.”

As a conservation easement, Sunflower Farm is “required through contract to preserve much of the nature that exists,” McGuire said. This means no new structures can be built on the farm, so the preschool cannot grow.

But there are other ways the farm can grow its contribution to the community. Healthy soil grows nourishing food, so Roberts is committed to working with aspiring local farmers.

We are “planning to expand educational internships focusing on regenerative farming practices,” McGuire, who has a master’s degree in international human rights from the University of Denver, said.

Roberts bought the homestead in 2002. It had a rundown farmhouse. However, Robert’s four children and their friends loved the place. Roberts, a master builder, improved the property, created the community spaces, and formed a preschool.

Roberts goal was to preserve the open space of the farm. He built winding pathways for visitors to explore a hay maze, a grain silo, and a twin-engine airplane. Guests can wander between hand-split wood enclosures where friendly goats and ponies greet everyone.
The farming and animal setting creates an “easy learning environment for kids to participate and they are eager to participate,” Roberts said. While planting pumpkin seeds, the children count and improve their “dexterity, and they’re also learning.”

Looking to the future, Roberts said, “You know, I don’t think there’s going to be another Sunflower Farm. The business model does not financially support” the preschool.

“I was raised poor, so money is not a motivating factor for me. Otherwise, I would have sold this farm years ago and retired.” Roberts said. “But I’ve made a commitment of myself to do this for the community. This is my purpose.”

Visitors are welcome at the Sunflower Farm in Longmont Colorado with reservations.
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Game in Luxury at the University of Colorado in Boulder

The Alienware Lounge at the Colorado Memorial Center on C.U. campus. (Melodie Miller / Photographer)
Game in luxury with state of the art Dell software can be found at the University of Colorado, Boulder lounge on the first floor of the Colorado Memorial Center. The gaming lounge is open seven days a week.

The Alienware Lounge features custom designed chairs for long periods of sitting. (Melodie Miller / Photographer)
The University of Colorado teamed up with Alienware, a hardware subsidiary brand of Dell in 2023 to build the second collegiate facility in the nation. According to the University, the 1,275-square-foot space inside the UMC was renovated with a $1.2 million donation from Dell Technologies and Intel.
The Alienware Lounge offers numerous games and open seating for up to one hour per session. Watch the Youtube video for a view of the facility. https://youtu.be/Dpi8Z01Gqcg (Melodie Miller / Photographer)
The luxury Alienware Lounge has 19 gaming desktops, three gaming laptops, and a console area that can comfortably seat up to 4 gamers. C.U. students receive 10 free days passes on their first visit.

Adam Pallas, is the senior coordinator for gaming programs at C.U. Boulder. (Melodie Miller / Photographer).
Building a community at Alienware is one goal of the Center for Student Involvement at C.U. “I am full time. I am part of our Center for Student Involvement, which is where our gaming lounge is housed,” Senior Coordinator for Gaming Programs, Adam Pallas said. “I was brought on to the University in August 2023, prior to the opening of the gaming lounge, and I’ve been with it since then.”
UCM Alienware Lounge entrance. (Melodie Miller / Photographer).
Alienware hosts in person gaming night once per month with free pizza and tonight its Minecraft Bingo. “Minecraft is not normally a competitive game, but we thought we could make it competitive by doing the Bingo competition,” Pallas said.

Minecraft ( http://www.minecraft.net/en-us/aboutminecraft )
Accept the Minecraft bingo challenge? Achieve 5 down, 5 across or 6 diagonally and win the game.

How to play Minecraft Bingo ( https://minecraftbingo.com/?s=3-0-0-4_56400 )
Mojang Studios, a video game developer based in Sweden introduce Minecraft in May 2009 as a sand-box-style where players could freely explore, interact with others and create. The idea is that people can experiment by playing survival or creative modes. Mojang Studios sold Minecraft to Microsoft Gaming in 2014 for $2.5 billion dollars.

Graphic was designed and developed with Piktochart. (Melodie Miller / Designer).
Minecraft has evolved over the years but it remains a sandbox-style video game that gives players a lot of freedom to explore, interact, and create virtual worlds without following a set objective. It is an environment where players build and explore virtual worlds by discovering and extracting raw materials with craft tools and machines.

Minecraft landing page( https://www.xbox.com/en-US/games/store/minecraft/9MVXMVT8ZKWC/0010 ) Eli Grimm is a sophomore at C.U. majoring in engineering. His favorite game is Minecraft because it is a “creative game to play with your friends,” Grimm said. “Its a great way to connect with people. If you have close friends, but you guys live far away, you could play some games together. It’s something that’s social.”
Eli Grimm, C.U. gamer and engineering major. (Melodie Miller / Photographer)
The Alienware Lounge is “sponsored by Dell Alienware. So we have these amazing rigs. These are top of the line computers that would cost several thousand dollars to make on your own,” student gaming event planner, Jesse Helser said.

Jesse Helser is a student gaming event planner at the Alienware Lounge at C.U. (Melodie Miller / Photographer)
C.U. student, Colin Stewart, a junior majoring in psychology said, “My goal tonight is to win. This is the second time I’ve been here. I participated in the first event of this semester and I honestly have my own gaming PC in my dorm. But I enjoy coming out here.”

Colin Stewart, is a junior majoring in psychology at the University of Colorado in Boulder. (Melodie Miller / Photographer)
Although C.U. offers 50 games, Minecraft has become the best selling video game world wide since its release in 2009. Sales topped at 300 millions copies sold as of 2024 and according to Xbox, there are nearly 170 million monthly players exploring the critically acclaimed virtual worlds.

A C.U. student played a video game as his friends sitting near by joined in the same battle. (Melodie Miller / Photographer)
The Alienware gaming lounge is a place created for fun and competition that offers students the opportunity to team build playing on high-tech gaming equipment. They can grow a community of gamers facilitated by the Center for Student Involvement 7 days a week.

UMC Alienware gaming lounge. (Melodie Miller / Photographer) https://www.colorado.edu/involvement/gaming-lounge
The Alienware Lounge is a place of community where friends can join in video games for relaxation and enjoyment. Students will find Alienware hours and coming events on the website.
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John Roberts shares his sustainable Sunflower Farm with the community

The Longmont Colorado Sunflower Farm video and interviews were written and produced by Melodie Miller.

Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)

John Roberts, owner of Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)

The tool shed on Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)
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Sunflower Farms: Radio Script

Sunflower Farm, Longmont Colorado (Melodie Miller / Photographer)
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Super-Frog Saves Tokyo: A Classical Dream Vision Narrative
An analysis of Haruki Murakami’s Super-Frog saves Tokyo written by Melodie Miller.

Super-Frog Saves Tokyo illustration by PMGL (Courtsey of Amazon Books)
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages.
- https://en.wikipedia.org/wiki/Haruki_Murakami
- https://en.wikipedia.org/wiki/Drive_My_Car_(film)
- Norwegian Wood (1987)
- The Wind-Up Bird Chronicle (1994–95)
- Kafka on the Shore (2002)
- 1Q84 (2010)
- Men Without Women (2014)
- The Elephant Vanishes (1993)
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The Story of the Western Wing: Breaking Tang Tradition
The West Wing, a play written by Wang Shifu (1250-1300) in the Yuan Dynasty.

Scenes from The Story of the Western Wing, National Museum of Asian Art (Courtesy of The Smithsonian)
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The Story of Ying-ying: Strange Love
A timeless story of love where social expectations conflict with personal desires.

Scene from Romance of the Western Chamber, an opera inspired by the story of Ying-ying (Illustration of act 10 courtesy of Wikipedia.org)
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Humans are Synonymous with Monsters in “Monster Takes a Bride” (1807), Ikku Jippensha

Original 19th century Japanese Woodblock Print The Monster Takes a Bride, 1886
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Syntax in Shakespeare’s Sonnet 20 “A women’s face with nature’s own hand painted”
An exploration of the poet’s depiction of nature and beauty.

The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. Attributed to John Taylor. (Courtesy of Wikipedia.org)
Read more about Shakespeare’s Sonnet 20 “A woman’s face with Nature’s own hand painted”
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The Frozen Castle, a Murderous Tale

The Frozen Castle created in Microsoft Copilot by Melodie Miller
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The Elbow Room
Melodie Miller ©
The Elbow Room is a situational comedy series set in 1984 at the birth of tech in Seattle, Washington. The Elbow Room is a fictitious bar on a Washington State Ferry where young commuters hang together during their battle to and from Bainbridge Island to their jobs in Seattle. Their friendships exist only inside the world of their commute and every effort is made to keep their personal lives separate from their ferry boat adventures.



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The Decline of Hunting in the U.S. and the Threat to Wildlife Conservation
According to the archeological dating of the Morocco Jebel Irhoud animal fossils and the Homo sapiens who ate them, humans have hunted game animals for over 300,000 years. Although humans are omnivores, they did not start farming until 23,000 years ago, according to the Ohalo II archaeological site in Israel. This means that humans needed to hunt for 277,000 years for food security.
Kelly Maher, an avid Coloradan hunter and mother, said part of her family ethic is “we hunt to eat and we eat what we hunt.” During the Covid 19 shutdown, her family ate deer meat stored in the freezer from the previous hunting season. Maher said she believes hunting is a core part of “understanding our place in the world.”

Data from All About Bison. https://allaboutbison.com/national-mammal/
American wildlife suffered at the end of the nineteenth century from mismanagement, according to the Audubon Society. The bison population had diminished from 60 million to 300 in 100 years due to lack of management and overhunting according to All About Bison. Together, President Theodore Roosevelt, George Bird Grinnell and John Muir along with the Audubon Society, established a conservation movement to preserve nature.
Roosevelt, the “conservation president,” used his authority in 1906 to protect public lands and wildlife by creating the United States Forest Service (USFS). This service established 150 national forests and 18 national monuments through the American Antiquities Act. This act protected over 230 million acres of open public space for citizens of the United States use.
With the advent of city living, increased public criticism, and reduced barriers to food security, hunting has declined in the United States. The decline of hunters is problematic state-wide for wildlife conservation efforts that depend on funding from hunting license sales.

Source: 2020 U.S. Census Demographic – City density
According to Wildlife for All, between 1960 and 2020, hunting license sales increased by 2 million or 13.5 percent. The U.S. Census Bureau (USCB) reports that the population increased by 152 million or 84 percent. Although the number of hunters increased, it dropped from 7.8 percent of the population in 1960 to 4.8 percent in 2024.
The U.S. Fish and Wildlife Service manages nationwide conservation funding through the collection of hunting license revenue and firearms and ammunition excise sales tax from each state. The funding is distributed back to the state parks and wildlife departments that manage public land conservation and animal populations.

Sources: U.S. Census Bureau. Wildlife for All. U.S Fish and Wild Life Service Hunting licenses issued between 1960 and 2020 compared to the U.S. population.
“There are 180 hunting units that Colorado has divided into Game Management Units (GMUs),” Cody Heneghan, a hunt planner for Colorado Parks and Wildlife said. “These units designate which part of the state your particular license permits you to hunt in.”
Hunting licenses for Colorado’s Western GMUs with higher elk populations are in high demand with a limited number available per year. A hunter must apply for these types of licenses through a “big game draw,” or purchase a leftover license after the draw if one is available.
“I’m not hunting as much now because the last time I bought a license, it was in a unit with a low population and I didn’t get an elk that time,” Wally Light, a 21-year-old hunter said. “It was a lot of work without a payoff. It didn’t seem worth it.” According to Colorado Parks and Wildlife, the Federal Bureau of Land Management (BLM) manages 8 million acres of public land in Colorado. However, non of the 23,000 acres of open space and trails in rural Pitkin County are open for hunting. Open space hunting in Pitkin County Colorado is prohibited according to the Pitkin County Open Space and Trails program. However, private land is huntable with permission.
But private land is diminishing. In January, Pitkin County Open Space and Trails Board voted unanimously to purchase 650 acres of private land in upper Snowmass Creek Valley to reclassify it to BLM open space.
According to wildlife advocates, limiting hunting units in Colorado become problematic for wildlife management. “Management of ecosystems is important,” Maher said. “By virtue of the fact that humans are here, we must manage this system” to ensure the well-being of animals and the environment.
Between 1970 and 2000, hunting license sales revenue increased from $600 million to $1.1 billion according to The U.S. Fish and Wildlife Service reports. However, revenue remained stagnant over the next two decades.

Sources: U.S. Fish and Wildlife Service. Congressional Research Service. Hunting license sales revenue and federal excise tax collected equally $2.2 billion in 2024.
Data from the Congressional Research Service reports that between 2017 and 2022, excise tax collected from the sale of firearms increased from $600 million (inflation adjusted) to $1.1 billion due to increased sales during the pandemic but not to sales for hunting equipment. However, funding from the U.S. Congress has decreased since 2015.
Hunting is an integral part of maintaining a stable deer and elk population. Lands maintained by hunting license revenues distributed by the U.S. Fish and Wildlife Service are more likely to support natural wildlife.
The “availability of food sources in the wilderness is a factor in monitoring the population,” wildlife advocate Mark Surls said. This becomes a closed-loop, sustainable ecosystem.
The U.S. Fish and Wildlife Service operating budget, is partially funded through congressional appropriations. In 2024, the operating budget was $4.1 billion with $1.722 billion allocated by the government and the balance coming from grants, excise tax revenue and hunting license sales.

Sources: Congressional Research Service Funding requested to manage Fish and Wildlife Services, and congressional funding enacted to finance conservation in all 50 states and 16 territories.
Public opinion contributes to the hunter’s image in the U.S. On Nov. 5, voters were given a choice through “Cats Aren’t Trophies” Proposition 127 to decide whether Colorado Parks and Wildlife would continue to manage the mountain lion population by issuing hunting licenses.
“Hunting deer is fair chase,” wildlife advocate Carol Monaco said. But hound hunting “mountain lion is cruel.” It isn’t helping anyone and “very few big cats are dressed for consumption. We need to learn to coexist with wildlife.”
Surls advocates that hound hunting is unethical and should be removed from the hunting license options because “it gives our hunters a bad name for violations of fair chase,” integrity in hunting.
Some critics combine hunting for food with “trophy hunting.” Trophy hunting is hunting wild animals for sport and keeping body parts for display, not food. Mesa County Commissioner Cody Davis commented that this type of rhetoric is needless with an “end route to limit hunting” and “trophy hunting is already illegal in Colorado.”
Proposition 127 aimed to remove mountain lion population management from the Colorado Parks and Wildlife. In Nov. 290,000 voters rejected the proposition. In a compromising effort at a public engagement meeting critics of mountain lion hunting demanded that “guaranteed kill” be removed from hunting outfitter’s advertising because it is illegal in Colorado and a violation of CPW’s policy.

Source: Ballotpedia Colorado Proposition 127 to Prohibit Hunting of Mountain Lion was rejected by Colorado voters, allowing Colorado Parks and Wildlife to continue managing the population.

Source: Ballotpedia. Colorado Proposition KK, Excise Tax on Firearms was passed by Colorado voters, adding 6.5% excise tax to firearms and ammunition sales.
“We want to work with Colorado Parks and Wildlife,” Monaco said, “in every way so they can do their job” managing wildlife population.
As hunting license sales decrease, U.S. Fish and Wildlife Service funding must be replaced with a new source. Hunting licenses are an important source of revenue.
“Colorado Parks and Wildlife are brilliant at managing the wildlife population and it should stay that way. It is a scientific method of conservation,” Davis said
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A satirical description of K. Marx School of Business, MBAC 61984 Course Syllabus
Satire
When did higher education become the enemy? This is a fictional breaking news release that relays the satirical course syllabus at a fictitious Marxist business school. This satire is written in response to commentaries claiming that Marxist culture is prevalent on U.S. college campuses.

BREAKING NEWS: Underground Marxist School of Business syllabus discovered in bike satchel of arrested political dissident. Mother claims “Literary Theory and Critical Thinking studies are turning my child into a monster.” Infiltration of Marxism on college campuses proven.
Course Syllabus
MBAC 61984 Business Strategy – Innovative Management of “Profit and Means of Production”
Restricted to The Vanguard members and Master of Business Administration Candidates dedicated to overthrowing the bourgeoisie capitalist class.
Location: “SIBERIA, Gulag 13,” in the Basement of Hellems Arts and Science Building
Class Time: 12:00 PM – 12:50 PM
Instructor: Ivan T. Errible
Office Hours: Mondays after dark
Email: commi@KMSB.eduInstructors Statement: Class struggle between the bourgeoisie capitalist and the worker stands as an iconic representation of human existence as illustrated by the continuous battle concerning the owners of the means of production and the labor power. Marx tells us that “work, thrift and greed are […] (the capitalists) three cardinal virtues,”[1] and hording is their primary goal. Workers do not own the tools or means of production. Therefore, this is an essental element in gaining control of both the labor time and surplus labor time, stripping the bourgeoisie of charms of creating profit out of nothing.
When the KMSB graduate worker emerges into the capitalistic business world, it may be difficult to find comrades in arms who will join the movement against the exploitation of the proletariat. However, as a future “leader” of the Vanguard,[2] it will become increasingly important to recognize the exploited workers through group meetings and demonstrate the opportunities by which the means of their profit can be reclaimed. This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement.
Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production
This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement. Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production.
[1] Das Kapital, Vol 1, Part 1, Chapter 2
[2] The Vanguard: the non-profit corporation of the KMSB proletariat movement, dedicated to avoiding taxes and operating with the use of free labor, donations from guilt ridden capitalists and state supported educational funding.
You may find, at times, that the origins of your ivy league social class lingers and unduly attempts to influence your path, however, do not let these past systems of thought conflict with the goals of the Vanguard. The Vanguard recognizes that the organization of capitalism, as Marx tells us is “vampire-like ,(and) lives only by sucking living labor,”[1] therefore it seems to muddle the socialists thinking. Believe me when I say your role in the movement will put a stake through the heart of capitalism by expanding democratic centralism and rule by all.
Additionally, through service to the philosophy of Marxism and the dictatorship of the proletariat, students in pursuit of eliminating growth and profit from the corporate structure will find this class leads to a full understanding of how to take control of the means of production by the newly established worker run apparatus.
Course Description: This course introduces students to the techniques of understanding reality, thoughts and emotions through the philosophy of Dialectical Materialism and the understanding of nature as a whole. Student struggles will be observed by the classroom collective and will be discussed in a joint ownership atmosphere with other students.
This course may not be taken concurrently with MBAC 71984 or 81984 and may not be repeated. A grade of “D” or higher in MBAC 61984 is a prerequisite for subsequent advancement in the Vanguard movement.
Required Texts and Materials:
Karl Marx, Das Kapital (1867),Engles, Marx, Communist Manifesto (1848),Kim Jung-un, Perfect Brilliance: How to Starve the Populus to Garner Loyalty
Office Hours: 1:30 am -4:30 am on Mondays located in Gulag 14, Hellems Basement (go down the east-west stairs until you reach the basement and turn left and walk in a circle until you hit the brick wall at the end of the hall). If you cannot make these hours, remember that increases in productivity results from cooperation, therefore these hours work for everyone.
Grade Distribution:
Agitating: 10%
Participation / Dissent: 25%
Book Burning: 40%
Recruiting: 25%Course Requirements:
Agitating Workshops: Probably the stuff you’re here for. We will perform agitating workshop readings, followed by play acting on a daily basis. You shall learn the exact words to use to gas light a crowd and cause law abiding citizens to act against their better judgement.
Each workshop will be done in groups where individuals will receive constructive critique of their power of persuasion and each round’s requirements will be provide on the day of practice. The grades for these practice trainings will be based on how quickly a student can agitated another student.
Participation / Dissent: You are required to do three participation and dissent activities and you will be given a chance to lead your own agitation rally. The length and location of the rally will be determined by the instructor. Whether the rally concerns disrupting the state apparatus or boycotting labor factories, dig in and try to find out what makes descension work. Do your best to be analytical. Outside academic cited sources should be used and are required.
[1] Das Kapital, Vol 1, Part 3, Chapter 10
Book Burnings: Most homework in this class will take the form of book burnings, particularly texts on democracy, freedom of speech, property ownership and voting rights. The specific book burnings will pertain to a counterrevolutionary piece we read that day. Your instructor may give you a creative prompt, something analytical to provide a catalyst for that day’s discussion and inspiration to begin the bonfire activities. I grade these activities on the basis of satisfactory completion of a collection of citywide book burning results.
Recruiting Activities: At times we’ll practice recruiting activities in class, to mainly test a few strategies and get us into the mood for the next event. Occasionally you will be asked to take home and flesh out your strategies, in which case they ought to be planned in great detail and executed in secrecy.
Final Portfolio: You will construct a final protest rally plan and recruit participants.
Attendance, Punctuality and Late Work: Successful work in the K. Marx School of business is dependent upon regular recruitment of comrades to support the plight of the proletariat worker. Students who are unavoidably absent should make arrangements with the collective to make up the time missed. Failure to attend class and activities regularly may result in receipt of an F in a course and food sanctions for you and your family.
Plagiarism: Everything you will need to know will be read in Das Kapital and the Communist Manifesto whose texts are well known. Plagiarism is not possible when only two books exist.
Policies, Accommodations for Disabilities: If you qualify for accommodations because of a disability, do not bother submitting an accommodation letter because it has already been predetermined that accommodations based on documented disabilities in the revolutionary environment automatically disqualify comrades from leading teams.
Religious Holidays: God does not exist.
Honor Code: All students enrolled in a KMBS course are responsible for knowing and adhering to the Honor Code of Das Kapital and the Communist Manifesto. Violations of the policy may include: praying, reading other books, thinking your own thoughts, lying about your thoughts, not accepting a bribery offer, refusing to threaten new noncompliant recruits, unauthorized access to alternative reading materials, dishonest clicker fraud, executing the same or similar agitation rally’s in more than one city without permission from the course instructors and most importantly, an unwillingness to inform on personal friends who own the means of production.
All incidents of misconduct will be reported to gulag guards who have a sixth-grade education and who happily bully any and all human beings, including women, children and infants.
Students who are found responsible for violating the Das Kapital and the Communist Manifesto integrity policies will be subject to death by poison.
Discrimination & Sexual Harassment: The KMSB remains committed to fostering intolerant acts of misconduct on the bourgeois class which includes assault, harassment, and stalking owners of means of labor. Individuals who believe they have been subject to retaliatory actions from a bourgeois owner of means of labor should report the incident to the Institutional Institute of Impartiality and Obedience (IIIO) and punitive action will be taken secretly in the dark of night.
Class Schedule
Subject to change based on classroom progress. Changes will be noted in class.Week One
M. 8/27 – Introduction/Syllabus – Read syllabus out loud and sign a pledge of silenceW. 8/29 – Direct Struggle
Have Read: Marx Das Kapital, Section 1 (all), Section 2 (all)
+ Marx “Letter from Marx to Engels” (1867).
+ Anonymous Proletariat’s “Grief and How to Project Your Failings onto Others”F. 8/31 – Division of Labor
Have Read: “Ford and the Assembly Line,” Chapter 3 (pg. 55-61) (Canvas)
+ Gehring, “The Use of Force and Dogma”
+ Stalin, “How to Talk to a Worker”Week Two
M. 9/3 – LABOR DAY, NO CLASS, “The instrument of labor (in) the form of a machine […] becomes a competitor of the worker,”[1] therefore, burn a factory today.W. 9/5 – Production, Distribution and Consumption
Have Read: Henry Ford’s, People as Machines, Chapter 6 (pg. 167-175)
+ Walt Disney, Building a Psychological Utopia, (How to fool all the people all of the time.)
+ Tolkien’s The Hobbit, Ch. 1 (How to recruit the unwilling with false promises.)F. 9/7 – Consumption
Have Read: George Wallace’s “Incarnations of the Burned Worker” (179-181)
+ Poe’s “Tell Tale Heart,” (How to hide victims of book burnings.)Week Three
M. 9/10 – The Antithesis of Use Value and Exchange Value
Have Read: Hapsburg “The Czar’s Ghosts and their Jewels” (Lessons in how to use the trappings of the bourgeois to fund propaganda and agitation.)
+ Marx “The Poverty of Philosophy” (1847)W. 9/12 – Democratic Centralism
Have Read: Das Kapital, Section 1 and 2, (again), (This is the most important page in the book.)
+ Poe’s “The Fall of the House of Usher,” (Lessons in how to drive bourgeois friend’s mad.)F. 9/14 – Workshop Preparation (Wear clothes and shoes you are willing to burn.)
Turn in: FIRST BOOKBURNING REPORT
[1] Das Kapital, Vol 1, Part 4, Chapter 15
Week Four
M. 9/17 – Religion and Wives Tales (Reasons to not waste time reflecting on spiritual ideals.)
Have Read: Moscow Institute of Scientific Atheism, Chapter 9 (Pg. 1)+ Lenin’s “How Religion Deprives People of “I” (Canvas)
Week Five
M. 9/24 – Group Agitation Workshop (Bring tools of disruption, e.g. baseball bats, hammers.)
Have Read: Das Kapita,l Chapter 1, (again)+Kim Jong-un’s Propaganda and Misinformation Handbook
Turn in: Agitation and Propaganda Rally Agenda, first draftFINALS WEEK
Submit Agitation and Propaganda Rally Operation, final Time/Place TBD.Click these links to understand how Marxism and Marxist terms are used in the media.
- https://www.theguardian.com/news/2015/feb/18/yanis-varoufakis-how-i-became-an-erratic-marxist
- https://www.heritage.org/progressivism/commentary/the-root-cause-the-insanity-college-campuses-older-you-may-think
- https://alyesque.medium.com/the-university-is-not-our-friend-2e6dfdecf0bc
- https://www.cla.purdue.edu/academic/english/theory/marxism/terms/
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The Nationless State of Junktopia
A reimagining of Chris Marker’s Junkopia, short film shot in the Emeryville Mudflats of northern California. Story written by Melodie Miller.
I walked with hesitation down the path towards the Junktopia Alter, a place of worship that guarded The Great Bridge.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
A montage of artifacts walked the pathway without moving a muscle. The longitude and latitude flashed transparently in the heads-up display of my spectacles.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I imagined the smell of lavender hovering in the bay.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
In the distance the Bridge stood colorless, in need of recognition of its emptiness.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The memory hurled me to the day The Great Bridge almost collapsed.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
The eyes of the unconscious biplane looked oppositionally at the myopic cockatoo that sat on my shoulder.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
My bird recognized the fascist symbol painted on the wheel of the biplane as a warning to go no further.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
My amygdala said “Run!” but I persisted onward.
In the distance the Junktopia Alter remained its original color of distressed and burnt Tuscany auburn; looking like it was primed for a top coat of blood red paint.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I thought of Catch 22 and its airplane that flew detached from the war without Yossarian on board who was long dead as a character and forgotten by middle school teachers and students.
Along the path, a false messiah perched in a lifeless tree called to me longingly, beckoning for an apostle to gather a flock of followers.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
Her fuchsia and dark black mesh wings, torn and ravaged, desperately flapped in the turbine powered mechanical wind of capitalistic rule dominating the newly formed nationless state of Junktopia.


From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
In the distance, the lime, swampy grasslands filled with abandonment stood as shelter for the birds that no longer could fly. The decibels soaring from the speakers increased, projecting the vibrational reminiscence of the biplanes menacing history preparing to drop its deadly cargo on the unsuspecting living things resting below.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I approached the alter and the vacant, ornamental glass bottles that guided the unlighted path began to shatter from the sonic sounds spilling overhead, the speakers positioned ubiquitously on the bridge.
Jagged fragments threatened my jugular while the unsympathetic marsh called to me with a menacing howl.
One, razor sharp, ragged edge of a fragmented bottle neck hung from the bridge rafters by a wire hangman’s noose; its rusted metal screw top like a decapitated democratic statesman, his fellow, screw top public servants looked on from the gallery.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
I had abandoned my map on the battlefield and my cell phone no longer recognized a charged. I felt lost although I was not.

From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The Republic now rests as fragments of shattered glass reflected as graven images in the birds eye.


From Junkopia- A short film by Chris Marker | Courtesy of Criterion and Youtube
The fascist symbol painted on the tail of the biplane, a relic of the final war, roared: “the number twelve,” with the sharpness of two major league football helmets cracking in collision. “The twelfth man,” it called out silently, a rhetorical souvenir of the war. “The fans did not offer a home advantage,” I shouted back.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
The weathered alter walls made of wooden fish bone skeletons were rotted from the salt sea air. I bowed down to the god of technology. The empty tin-soup-can minarets stood as apostates and a reminder that rations must be earned by the labors of my cellophane hope.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
I waited for the signal to perform the requisite incantations. The white whisker entrails of the metallic stork swimming in the expansive future flapped in the mechanical breeze along with the Messiah’s wings. The five-feet tall, hand-made paper stork hovering nearby narcissistically mocked its own self-absorbed symbol of fertility.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
No one knew how or when the Kangaroos had arrived in Junktopia.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
But, like the nationless human inhabitants, they were there to stay, because no one else wanted them.

From Junkopia – A short film by Chris Marker | Courtesy of Criterion and Youtube
Junkopia – A short film by Chris Marker | Screenshot courtesy of Criterion and Youtube
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Seattle Washington Union Bay Natural Wildlife Sanctuary
The road taken on a New Year’s day. A reimagining of Robert Frost’s The Road Not Taken.
The road taken down a mossy path on the first New Year’s Day.

Where two birds converged in a browny wood with a sigh.

Long I stood at the undergrowth.

The path was bent and gravely but it had the better claim.

Both were equal that morning but one was less traveled.

The other was fair and without leaves trodden bare.

Though the way leads to passing by and by.
Somewhere traveling ages hence, the one traveled made all the sense.

I regret there was only one road to travel.
But, one road was taken that morning and I kept the other for another day.

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The Gothtopian Island of Mont-Saint-Michel, France
A creative nonfiction experience.



Mont Saint-Michel, France (Melodie Miller | Photographer)
I paused along the moss-clad path to Gothtopia’s altar, where worship lingered like incense in the ghostly ruins of Saint Michel’s basilica in Normandy. The damp perfume of aged wood and stone breathed through the centuries, pulling my soul through time’s fragile veil. I stepped first into the monastic refuge of 966 CE—then onward into the cold, stone prison of King Louis XI in 1472.


Mont Saint-Michel, France (Melodie Miller | Photographer)
The spirits of the exiled citizens whispered, “Run away,” yet I pressed forward. In the distance, the unforgiving door stood resolute, its distressed, burnt Tuscan auburn frame glinting beneath a lacquered sheen of blood-red defiance.

Mont Saint-Michel, France (Melodie Miller | Photographer)
A procession of artifacts drifted down the path, motionless yet advancing, as if carried by memory. Coordinates flickered across the heads-up display of my spectacles—longitude, latitude, fragments of direction. I had left my map on the battlefield, and my phone no longer held a charge. Though I was not truly lost, the world had misplaced me.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The red lacquer door, a relic of a final warning, roared, “Open me!” Its cry rang like swords clashing in the hands of dying warriors. “The end is near,” it whispered in silence, the relic’s cruel souvenir. “The enemy offered no home advantage,” I answered, defiant against its echo.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The unconscious masters ignored the printed enslaved, who begged for release from the fabric that bound them. I saw in the image a colonial warning—a reminder not to forget the past. I thought of the forced integration that tore children from their former lives as they boarded those buses. Their spirits have long since vanished, erased as characters and forgotten by their teachers and the system that failed them.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Along the path, a messiah sat upon a fractured altar, her voice trembling as she called out for an apostle to gather the faithless flock. Her sword and wings—tattered, torn, and trembling—beat helplessly against the cold, mechanical wind of capitalistic dominion that had ruled over Gothtopia.

Mont Saint-Michel, France (Melodie Miller | Photographer)
As I drew near the altar, the hollow glass candles began to shatter under the prophet’s resonant cries. Razor-edged shards clashed around me. From below, the unfeeling Holy Mother wailed—a menacing summons that chilled the marrow of my faith.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Through the monolithic arches, I saw the basilica—its nave filled with abandoned chairs, now nests for birds that had long forgotten how to fly. The Benedictine monks of 1790 CE were driven from the abbey by the revolutionaries, who also abolished the lettres de cachet, sealing the end of an era in French history.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The altar walls, built from the skeletons of time, stood weathered and decaying beneath the assault of the salt-laden sea air. I knelt before the new god of technology, awaiting the signal that would permit the ritual, the digital incantation demanded by faith’s replacement.
Around me, green moss and a viscera of pollution writhed through the mechanical vastness of the future, twining with the Messiah’s torn wings. Nearby, a self-adoring granite gargoyle hovered mockingly, its once sacred symbol of fertility now a caricature of its conceit.

Mont Saint-Michel, France (Melodie Miller | Photographer)
Razor-sharpened wrought-iron impalers stood in place like sentinels, their blackened stocks recalling the disappeared fallen heads of statesmen. The tattered public servants gazed on from the gallery, trapped in an echo of the past. Their ghosts, condemned to linger in the gallery, watch as history repeats itself. A vessel of broken time, the basilica endures its shattered moments. Her remembrance, reflected in graven images of the memory of Saint Michel and in the minds of the pilgrims.

Mont Saint-Michel, France (Melodie Miller | Photographer)
The vacant wrought-iron bars framed a prophecy: our daily debts are the rations earned through the labors of hope, fragile offerings, easily crushed by a king’s will. Lettres de cachet once sanctioned imprisonment or death without trial within Mont-Saint-Michel’s shadowed Gothtopia. Yet, in bitter irony, this violation of justice preserved the abbey from utter ruin.

Mont Saint-Michel, France (Melodie Miller | Photographer)
As I turned to leave, the narcissistic ghosts gathered—unseen yet impenetrable—blocking the windows and door. They pulsed with vibrations drawn from the basilica’s menacing past, its walls still breathing history. One by one, the apparitions released their lethal cargo of memories upon the living below—those drifting through their holidays, blissfully unaware, unwilling to remember.
Mont-Saint-Michele, Normandy, France
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A Hawai’ian Creation Story
Story interpreted by Melodie Miller | Designer | Illustrator

Keawe the Flaming Spirit of the Volcano (Melodie Miller, Illustrator, Adobe Illustrator)

Po the Volcano and the Flames of Many Voices (Melodie Miller, Illustrator)
In the beginning there was Po, the all-powerful Volcano.

Keawe the Flaming Spirit of the Volcano (Melodie Miller, Illustrator)
And, Keawe, the flaming spirit of the Volcano.

Untimed Infinite Time Passing (Melodie Miller, Illustrator)
Surrounded by an abyss of empty darkness, together, they were alone.
One day Keawe, speaking his mind said, “Po, it is not good that I am so alone.”
“But we have always been alone together. It has always been our way. We are all powerful. We do not need another.” Po responded.

The Flames of Many Voices (Melodie Miller, Illustrator)
The Flames of Many Voices living inside Volcano echoed Po’s warning, speaking with crackling and slapping flames, “Yes, Yes, Yes. It has always been our way, way, way. We are all powerful, powerful, powerful. We do not need another, another, another.”
“But Po, I have no one to love.” Keawe said.
“Keawe, what is this word you say, Love?” Po asked.
“What is this word Love? What is this word Love? What is this word Love, Love Love?” the Flames echoed with the innocence of Many Voices, pushing and pulling at the walls of the Volcano.
Time passed.

Na Wahine and Keawe (Melodie Miller, Illustrator)
Po did not want Keawe to be lonely, so he created Na Wahine for him to love.
“Keawe, I am Na Wahine. I have been waiting, alone for a long time, inside your heart. I am here now to share your love.” she said.
“Why did you not come sooner?” Keawe asked?
“Because you did not call for me.” she answered.
Looking down upon Keawe and Na Wahine, Po said, “Together you will rule. And, it is good.”
Then with a rumbling of the Volcano, Po commanded, “From your love, bring forth life to help you govern the heavens and the earth; bring forth beauty and all things will be good.”

The god princes and goddess princess of Hawai’ian legend (Melodie Miller, Illustrator)
Through Na Wahine, Keawe brought forth four sons.

Kane the God Prince of Sky (Melodie Miller, Illustrator)
The first son was Kane, the god of the sky and all that it is.

Ku the God Prince of War and Peace (Melodie Miller, Illustrator)
The second son was Ku, the god of war and peace; and Kanaloa, the god of all things in and of the ocean;.

Kanaloa the God Prince of Ocean (Melodie Miller, Illustrator)
The third son was Kanaloa, the god of all things in and of the ocean.

Lono the God Prince of the Land (Melodie Miller, Illustrator)
The fourth son was Lono the god of the land and that which it brings forth, the harvest and its bounty.



The Flames of Many Voices (Melodie Miller, Illustrator)
Along the walls of the Volcano the envious Flames of Many Voices became angry and agitate. The Flames of Many voices felt alone because Keawe was not alone.
“Call for me. Call for me. Call for me,” the Flames of Many Voices echoed.
But Keawa did not answer.
Time passed.
“Four daughters will be yours,” Po said.

Laka the Goddess Princess of the Hula (Melodie Miller, Illustrator)
Your first-born daughter, Laka, will bring the hula, the language of the heart.” Po said. “Laka will keep the story; abide by her words.”

Hina the Goddess Princess of Sanctuary (Melodie Miller, Illustrator)
“Your second daughter Hina will give you sanctuary from danger, stand on her as a rock when in need.”

Kapo the Goddess Princess of the Lost (Melodie Miller, Illustrator)
“Your third daugher, hot tempered Kapo will govern furiously with her brother Kanaloa. Be remembered by Kapo when you are hungry and lost, she will feed you and lead you home.”

Papa the Goddess Princess of Nature and its Beauty (Melodie Miller, Illustrator)
The fourth daughter, Papa, “will rule all of nature with beauty beyond words. Anyone who looks upon her, even in her rage, will feel her power.” Po said.
Papas natural beauty will overpower the gazers senses, and none will find the strength to resist her.
“Once the beauty of Papa is gazed upon, she will enchant their heart forever,” Po said.

The Flames and the Goddess Princess of Nature and its Beauty (Melodie Miller, Illustrator)
The Flames of Many Voices gazed upon Papa and were stricken with love for her natural beauty, which was beyond challenge, thus they were lonely no more, They were enchanted.
To this day, anyone who looks upon the nature of Papa and the beauty of the Islands, will not have the strength to resist her love. Hawai’i will live in their hearts for eternity.
This is the creation story of the enchanting lands of Hawai’i, her captivating love and irresistible beauty.
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Sunflower Farm Founder Podcast

It was early morning on a crisp, cold, sunny Sunday in November on the 55-acre Sunflower Farm. Founder John Roberts fed wood to the crackling campfire to warm the Farmfest guests. Community members of all ages come to the sustainable farm to roam among the magical forest and farm animals.

The farm is a healing “resting place for the community,” Roberts said. You can come as a family “to mingle with others that you never would have otherwise met.” The farm creates connections and an “intertwining of community that I think is beneficial.”
Roberts earned a bachelor’s degree in English from Colorado Mesa University. He taught at a primary school in Moshi, Tanzania, Africa. While in Moshi, he observed the benefits of outdoor-based learning. “The students plant seeds in the spring. By the end of the summer, they see the benefits of their participation in the farm. “

The children spend more than half their learning time out of doors. They play with the worms in the dirt and “begin to understand where their food comes from,” Liz Napp, the executive Sunflower Farm and Sunflower Farm Acres, said.

The farm is like an outdoor living room where Roberts introduces his guests to over 100 farm animals. “When I lived in Washington D.C., I realized that spaces are important,” Roberts said. “Over the last 25 years, I’ve created spaces for visitors to experience different things,” while enjoying the farm.

In 2024, Sunflower Farm became a production farm with an educational vision to immerse children in nature, land conservation and farming. Jacob McGuire, operations manager of Sunflower Farm Acres, said the children are “getting more than just the curriculum” as they navigate the property. They are “participating in preserving nature.”

As a conservation easement, Sunflower Farm is “required through contract to preserve much of the nature that exists,” McGuire said. This means no new structures can be built on the farm, so the preschool cannot grow.

But there are other ways the farm can grow its contribution to the community. Healthy soil grows nourishing food, so Roberts is committed to working with aspiring local farmers.

We are “planning to expand educational internships focusing on regenerative farming practices,” McGuire, who has a master’s degree in international human rights from the University of Denver, said.

Roberts bought the homestead in 2002. It had a rundown farmhouse. However, Robert’s four children and their friends loved the place. Roberts, a master builder, improved the property, created the community spaces, and formed a preschool.

Roberts goal was to preserve the open space of the farm. He built winding pathways for visitors to explore a hay maze, a grain silo, and a twin-engine airplane. Guests can wander between hand-split wood enclosures where friendly goats and ponies greet everyone.
The farming and animal setting creates an “easy learning environment for kids to participate and they are eager to participate,” Roberts said. While planting pumpkin seeds, the children count and improve their “dexterity, and they’re also learning.”

Looking to the future, Roberts said, “You know, I don’t think there’s going to be another Sunflower Farm. The business model does not financially support” the preschool.

“I was raised poor, so money is not a motivating factor for me. Otherwise, I would have sold this farm years ago and retired.” Roberts said. “But I’ve made a commitment of myself to do this for the community. This is my purpose.”

Visitors are welcome at the Sunflower Farm in Longmont Colorado with reservations.
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Game in Luxury at the University of Colorado in Boulder

The Alienware Lounge at the Colorado Memorial Center on C.U. campus. (Melodie Miller / Photographer)
Game in luxury with state of the art Dell software can be found at the University of Colorado, Boulder lounge on the first floor of the Colorado Memorial Center. The gaming lounge is open seven days a week.

The Alienware Lounge features custom designed chairs for long periods of sitting. (Melodie Miller / Photographer)
The University of Colorado teamed up with Alienware, a hardware subsidiary brand of Dell in 2023 to build the second collegiate facility in the nation. According to the University, the 1,275-square-foot space inside the UMC was renovated with a $1.2 million donation from Dell Technologies and Intel.
The Alienware Lounge offers numerous games and open seating for up to one hour per session. Watch the Youtube video for a view of the facility. https://youtu.be/Dpi8Z01Gqcg (Melodie Miller / Photographer)
The luxury Alienware Lounge has 19 gaming desktops, three gaming laptops, and a console area that can comfortably seat up to 4 gamers. C.U. students receive 10 free days passes on their first visit.

Adam Pallas, is the senior coordinator for gaming programs at C.U. Boulder. (Melodie Miller / Photographer).
Building a community at Alienware is one goal of the Center for Student Involvement at C.U. “I am full time. I am part of our Center for Student Involvement, which is where our gaming lounge is housed,” Senior Coordinator for Gaming Programs, Adam Pallas said. “I was brought on to the University in August 2023, prior to the opening of the gaming lounge, and I’ve been with it since then.”
UCM Alienware Lounge entrance. (Melodie Miller / Photographer).
Alienware hosts in person gaming night once per month with free pizza and tonight its Minecraft Bingo. “Minecraft is not normally a competitive game, but we thought we could make it competitive by doing the Bingo competition,” Pallas said.

Minecraft ( http://www.minecraft.net/en-us/aboutminecraft )
Accept the Minecraft bingo challenge? Achieve 5 down, 5 across or 6 diagonally and win the game.

How to play Minecraft Bingo ( https://minecraftbingo.com/?s=3-0-0-4_56400 )
Mojang Studios, a video game developer based in Sweden introduce Minecraft in May 2009 as a sand-box-style where players could freely explore, interact with others and create. The idea is that people can experiment by playing survival or creative modes. Mojang Studios sold Minecraft to Microsoft Gaming in 2014 for $2.5 billion dollars.

Graphic was designed and developed with Piktochart. (Melodie Miller / Designer).
Minecraft has evolved over the years but it remains a sandbox-style video game that gives players a lot of freedom to explore, interact, and create virtual worlds without following a set objective. It is an environment where players build and explore virtual worlds by discovering and extracting raw materials with craft tools and machines.

Minecraft landing page( https://www.xbox.com/en-US/games/store/minecraft/9MVXMVT8ZKWC/0010 ) Eli Grimm is a sophomore at C.U. majoring in engineering. His favorite game is Minecraft because it is a “creative game to play with your friends,” Grimm said. “Its a great way to connect with people. If you have close friends, but you guys live far away, you could play some games together. It’s something that’s social.”
Eli Grimm, C.U. gamer and engineering major. (Melodie Miller / Photographer)
The Alienware Lounge is “sponsored by Dell Alienware. So we have these amazing rigs. These are top of the line computers that would cost several thousand dollars to make on your own,” student gaming event planner, Jesse Helser said.

Jesse Helser is a student gaming event planner at the Alienware Lounge at C.U. (Melodie Miller / Photographer)
C.U. student, Colin Stewart, a junior majoring in psychology said, “My goal tonight is to win. This is the second time I’ve been here. I participated in the first event of this semester and I honestly have my own gaming PC in my dorm. But I enjoy coming out here.”

Colin Stewart, is a junior majoring in psychology at the University of Colorado in Boulder. (Melodie Miller / Photographer)
Although C.U. offers 50 games, Minecraft has become the best selling video game world wide since its release in 2009. Sales topped at 300 millions copies sold as of 2024 and according to Xbox, there are nearly 170 million monthly players exploring the critically acclaimed virtual worlds.

A C.U. student played a video game as his friends sitting near by joined in the same battle. (Melodie Miller / Photographer)
The Alienware gaming lounge is a place created for fun and competition that offers students the opportunity to team build playing on high-tech gaming equipment. They can grow a community of gamers facilitated by the Center for Student Involvement 7 days a week.

UMC Alienware gaming lounge. (Melodie Miller / Photographer) https://www.colorado.edu/involvement/gaming-lounge
The Alienware Lounge is a place of community where friends can join in video games for relaxation and enjoyment. Students will find Alienware hours and coming events on the website.
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John Roberts shares his sustainable Sunflower Farm with the community

The Longmont Colorado Sunflower Farm video and interviews were written and produced by Melodie Miller.

Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)

John Roberts, owner of Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)

The tool shed on Sunflower Farm, Longmont Colorado (Melodie Miller Photographer)

















































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