Author: Melodie Dawn Miller

  • My Glamorous Career: A Memoir of Designing for U.S. Special Forces


    I was willingly recruited into the world of covert operations by a Special Operations officer dressed all in black. It happened at the Las Vegas Convention Center. Any fan of “Casino” and the “God Father” would rather meet the mob bosses, Sam Rothstein and Michael Corleone than Joubert of “Three Days of the Condor,” or Jason Bourne, the trained assassins. At the least the Rothstein and Corleone characters embraced brotherhood like a family of gorillas.

    As long as you never refused an offer, they would always make room for compromise. But assassins are a different kind of animal. With assassins, things are over before you know what happened. Like mountain lions, assassins hunt alone. Assassins do not negotiate. On that day in Las Vegas I meet an assassin.

    Disguised as a procurement office for the Army, the assassin was dressed impeccably in the best-selling and most important color in any apparel collection, black. I thought I was meeting a fellow couturier. With the erroneous knowledge that clothes make the man, I started the project thinking I was working with a compadre; better yet, a man who knew how to dress.

    This misconception filled me with a false security. I thought this would bridge the gap between me, the designer, and Eddie, the hitman. I knew he would be ‘pack’n.’ I wasn’t afraid of guns; I grew up in a family of hunters. However, hopefully, I wouldn’t become the prey.

    It all started at 8:45 a.m. Eastern Standard Time on that fateful morning in September 2001, when I woke from a dream where red balls of fire chased me down an endless hallway. When I turned on the television and saw the burning tower in New York City, my dream made sense.

    I didn’t know it yet, but life would never be the same. The next thing I knew, I was in Las Vegas on a sweltering January day in 2002 when the country still shared a collective fear that a terrorist could live on their street and be attending flight lessons at their municipal airport preparing for another attack.

    “How did I get here,”[1] I asked myself, “by letting the days go by without thinking, pursuing the American dream, and designing clothing for the self-absorbed,” I said.

    I watched as gamblers followed the presidents advice to “enjoy life,”[2] so they headed to the slots and blackjack tables. They spent their money on entertainment. This helped them forget about the problems of the world. But I was not enjoying myself. I was working.

    The long, hot walk from my hotel along the Boulevard, seem to become longer and warmer as I passed the miniature replica of the Statue of Liberty. I wondered if freedom, like the statue, would shrink following the attack on New York City. Congested with noisy taxis, people rushing to their gambling destinations, and neon lights flashing at all times of the day and night, Vegas epitomized the ideal of the U.S.A., get rich. The black gold on the ground seemed to radiate under my feet as if the heat was coming from the underworld. I felt like I was walking on red hot lava.

    I thought have I “found the “cost of freedom” [3] buried in my soul?

    Regardless of the danger ahead, I continued moving forward. While the oder of hot oil mixed with concrete filled the air, I convinced myself that I believed in the pledge of allegiance to the republic that had sheltered me all my life, but really I needed the money, so I continued walking towards the meeting. I was sweating, and the moisture under my arms was dripping down my skin inside my crisp white business shirt, puddling at the belt buckled tightly at my waist.

    I arrived at the stairs to the convention complex and looked up to see the building towering over me like a colossal statue of Commodus, the blood sport-loving emperor of Rome who was assassinated by his gladiatorial trainer.

    “One can never be too careful,” I thought.

    The Greek columns seemed to be holding up my world. They reminded me that even a military power like the great Roman Empire did not guarantee eternal supremacy. This is true even for a country like America. The gargantuan doors seemed to suck me into the maze-like complex. The oversized tiger statues that flanked the doors looked at me with large hungry eyes.

    I entered the convention hall and temporarily disappeared into the self induced State of Vegas coma were no clocks, windows, or light of daylight existed. Suddenly I lost track of the time of day, leaving my old life behind outside the doors closing slowly behind me, and I wondered if the gods would “shed their grace”[4] on me.

    The grandeur of the oatmeal-colored walls towered above me like ramparts of granite, and the cornfield maze hallways seem to intentionally distort my location like walking in a field of “amber waves of grain.”[5] I continue moving forward as if the meeting beckoned with a silent signal, “walk this way.” The artificially bright and ominously cavernous room mocked the “purple mountains majesty”[6] with massive signage overhead like “star-spangled banners”[7] precariously hanging from the sky.

    The names on the signage represented capitalism in the outdoor industry whose canons preached verses of optimism for the planet’s soul. Still, in reality, most of their products’ raw materials were made from petroleum and polluted along with every other industry on earth. “Just do it,”[8] “Never Stop Exploring,”[9] and “Reject Fast Fashion”[10] are not words to live by; they merely exchange one narrative for another.

    Patagonia Withdraws from Outdoor Retailer, Protesting Revocation of Bears  Ears National Monument - The Trek

    The truth is that there is simply no way around making consumer products without polluting the earth; it’s still a rose that stinks no matter its name, no matter its slogan.

    The hallways, filled with gas-powered forklifts, raced sinisterly down the aisles, transporting large, hazardously sized crates to locations marked by a small white number painted on the concrete floor. The crates that could instantly crush a human sat twelve feet in the air, precariously positioned atop the fork, as they sprinted down the aisles towards their temporary plot of “land of the free.”[11]

    The crates held the makings of houses where no one would ever live. Two-hundred-thousand, four-hundred-thousand, six-hundred-thousand-dollar homes were used for four days, two times per year, and no one even slept there.

    File:Star Spangled Banner (Carr) (1814).png

    These were not the” home(s) of the brave”[12] instead; they were temporary day quarters for the brands and sales representatives to sell their wares to professional buyers who then sold the goods to the consumers who had more money than they would ever spend.

    Along the cavernous compound walls, numerous oversized garage doors were standing wide open, welcoming the warm air in and allowing the cold air out. It was the only daylight in the room, and the open doors acted as a mirror if the businesses would only look at themselves.

    Salt Lake gets Outdoor Retailer back but not everyone is happy

    The outdoor industry collectively claims they will save the planet by building the best products yet cause no unnecessary harm.

    We will “use business to inspire and implement solutions to the environmental crisis,”[13] one leader who will go unnamed said. ‘Then close the damned garage doors and stop wasting the energy that is producing this air conditioning,” I thought.

    As I walked to meet my contact, I though, “maybe he’s short,” or “handsome” like Matt Damon’s character in Bourne Identity’. Or, maybe he’s “scary,” like a special operations soldier.

    I arrived at a small, unmarked booth, unencumbered with slogans or signage. I met the man dressed all in black.

    “I am a procurement officer,” he said.

    ‘That’s strange, I thought, I was told he was a Special Operations officer.”

    The “procurement” officer freshly shaven and smelled of the clean fragrance of soap. He was much younger than I had expected. I found it odd that he never stood up from his chair.

    He ran the back of his hand seductively down his smoothly shaven muscular cheek. He told me he had just cleaned up after his workout. ‘Cleaned up, after work, that doesn’t sound good,” I thought.

    He stuck his hand out and said, “I’m Michael, but everyone calls me Mr. Bengal. You can call me Mr. Bengal.”

    “OK, like the cat?” I asked.

    “Yes, actually like the tiger.”

    And without taking a breath, he launched into describing the Army assignment.

    “The Army has a classified mission. If you accept it, you will work on a need to know basis,” Bengal said.

    “OK,” I said, thinking this must be a cosmic joke.

    “Your mission, if you accept it,” he said.

    Was he practicing his lines for the next “Mission Impossible” movie, or did he talk this way?  I pretended to understand what the hell he was talking about regarding “on a need to know basis.”

    I thought, ‘well I’ll need to know your physical measurements if you expect me to fit you with clothing.’

    “I am allowed to share just a bit with you,” Bengal said. “The mission will occur in a frigid, mountainous place. We will be hunting the man linked to something in New York City.” “I can’t tell you anything more.”

    “The attack on September eleventh,” Bengal whispered.

    “Oh,” I said. This time I understood perfectly well who Bengal’ was referring to.

    ‘Shit,’ I thought. ‘Now Jason Bourne has shared the biggest secret in the world with me. I knew what happened to people that know too much.’

    “We need warm clothes for the troops to wear in order to catch this guy. We need you to build them for us,” Bengal said. “Can you do that?”

    Osama Bin Laden

    “Of course,” I said, “that’s what I do, but actually, I design them.”

    “What’s the difference?” Bengal asked.

    That question frightened me more than the realization that his Glock was hidden in his gym bag under the table. Now I realized he was wearing black as a symbol of the covert nature of his profession, not because he was a fellow couturier. He didn’t understand the apparel industry and that made my job more dangerous.

    “Think about the money,” I said to myself, “you can do this.”

    “How soon can you get to Natick?” Bengal asked.

    “Soon,” I answered.

    __________________________________________

    It was a long flight “from sea to shining sea”[14] the night I flew from Seattle to Boston. Actually, the lyrics should go ocean to ocean or in this case “from Puget Sound to Massachusetts Bay,” but this isn’t a geography class.

    I arrived late and was the last person to pick up my rental car before the office closed. The ice-cold evening was moonless and black, sporting the best-selling color in fashion, maybe things are going my way. I walked alone through the parking garage searching for my car, looking side to side hoping no one would jump out and grab me.

    As I climbed into the unfamiliar vehicle the parking garage echoed a reminder that I was alone on this mission and I had accepted it knowing full well the dangers. I fumbled for the overhead light and quickly surveyed the location of the crucial instruments to navigate my drive to the hotel.

    Black ice - Wikipedia

    The roads were covered with splotches of thin black ice. I recalled the time station wagon spun a complete 360 degrees on the road to Skykomish. My mom simply righted the car and continued without saying a word while the kids screamed in terror.

     I drove alone on the snowy road to the small town that housed the military base. I was feeling apprehensive about the trip. The project was clandestine, and I had never held a gun. Shooting a gun was something I had never done. Not that I would be expected to participate in the mission, it’s just that guns are known to kill people and now I would be close to the people that did that sort of thing.

    I checked into the hotel and climbed into the bed with crisp, fresh, white sheets that smelled of bleach. No chemicals were strong enough to clean away the reality of the task I’d taken on and I restlessly fell to sleep.

    The next morning came fast. It left me groggy at the “dawn’s early light”[15]. I rushed to get dressed, feeling unsure of myself and what to wear. I decided to wear black, how could I go wrong in black?

    I covered my head with a baseball cap sporting a U.S.. Army chenille patch of red, white and blue and headed out the door. I was told to be in the lobby of the hotel at 0800. The message was, ‘he would find me.’ The written communication had stated that a Special Operations soldier would contact me at the hotel. This gave me visions of a six feet four-inch linebacker-sized man.

    I allowed my libido to get the best of me for a brief moment. However, to my disappointment, a small figure approached me. He stood five feet four inches tall and was slightly hunched at the shoulders. He had the face of a hyena and smiled with a deceptive looking sneer. He too was dressed all in black including his baseball cap, large combat boots, and wrap around Ray-Ban sunglasses. It was eight in the morning and it wasn’t sunny outside.

    “You can tell everything about a subject by looking into their eyes,” he said, “always wear your Ray-Bans.”

    I  wondered how he recognized me through his shades when we had never met before this moment and the idea triggered an adrenaline rush, making my heart race and I began to sweat.

    “Did they already have a file on me?” I thought. bl

    Then I remembered reading a scientific study about the smell of fear and struggled to calm my mind with the type of deep, long breaths I’d learned in yoga practice. I knew that animals could smell fear and I wondered if he had sniffed the panic dripping under my clothes. I pulled my sunglasses from my purse and covered my eyes.

    A watercolor sketch from the film Fantasia. Brooms carry buckets of water across the frame

    My contact signaled a command. He ordered me towards the exit with his short, gloved pointer finger. I felt as if the evil sorcerer from Fantasia had taken me under his powers like Sorcerer’s Apprentice Mickey Mouse’s marching brooms. . My hyena-like handler’s power pulled me through the revolving glass doors. I stepped out into the below zero-degree morning.

    Feeling like the protagonist in a Disney movie I floated towards the oversized, black S.U.V. that awaited us. Nearly invisible patches of black ice covered the concrete and I felt encouraged that I could still recognize reality. Trying to act casual, I asked my contact about his position in the Army and he answered without hesitation.

    “I’m a sniper, and I’m good. I never miss and I always win.” He said proudly like he was bragging about being an Olympic gold medal winner.

    My mind began to fight itself with crazy ideas as I realized I was climbing into the black S.U.V. with a trained killer.

    “Don’t worry, we’ll take care of you.”

    I hadn’t said I was worried, and I didn’t like the idea of being “taken care of” by a professional hitman who was trained by the U.S. military. But I reminded myself again that the Army’s “C-notes” were just as honest as any other clients money and what’s more, the government paid on time.

    I climbed into the imposing, blacked-out windowed Chevrolet Suburban and slid across the frigid leather seat. I was conscious of the fact that I could see out of the S.U.V., but no one could see in. I buckled the hard metal seat belt and cinched it tightly around my small waist. I looked to my right side and there lay a long scarf, handwoven in a distinctive Afghan tribal plaid pattern. I recognize the scarf as one used for wrapping a turban. It had a slight musky odor and as I looked closer, I could see that it was dirty and stained.

    Just then the sniper reached his hand back from the front seat and said, “I’ll take that scarf, my buddy sent that to me from Afghanistan. The guy won’t be needing it anymore,” the sniper said followed by a short burst of hyena sounding laughter. Upon touching the scarf, the sniper appeared agitated and compelled to share his story. I thought it was as if he had pulled the sword from the stone, seemingly empowered as a knight, beyond reproach, entitled to kill for his kingdom.

    “You’re probably wondering how I got my hands on that Afghani scarf?” he said.

    “Well, OK, how?” I said reluctantly.

    “Like I said. The guy didn’t need it anymore and my buddy borrowed it, so to speak, permanently,” the handler said and laughed again.

    Isn’t that what he just told me I thought. I remained silent, instinctively understanding that like the spinning car, nothing good could come of where this story was going. But he pivoted to a different topic, which at first seemed like a good move but then reality went from sitting in the back of an S.U.V. driven by a trained assassin to the confessionals of a hit man.

    “You’re probably wondering how I became a sniper.” He offered eagerly.

    The words of my mother ran in my ears “If you don’t have something nice to say, don’t say anything at all.” Again, I did not respond. 

    “I was eighteen years old and arrested for stealing a car. This time I knew it would be prison, not juvie detention. I told my attorney that I liked guns and was a perfect shot with an automatic rifle and we made a deal with the judge. The judge offered: “Prison or the Army?” I accepted the U.S. Army’s offer, and here I am, killing bad guys for my country, and I now I own my car.”

    The S.U.V. raced down the small-town highway to the Natick Army Base. We passed Wellesley College, my step aunts Helen’s alma mater and my resentment boiled irrationally as I thought about the one million dollars she had given to the college. Had she given me some of that million dollars, I wouldn’t have taken this dangerous job. I reminded myself that she didn’t give any of her money to humans, only institutions like the Seattle Opera House and the Huntington’s Foundation, and that seemed to comfort my foolish subconscious mind temporarily. Besides, we weren’t really family, she was my step-aunt, and I doubt she even remembered my name on the day she died.

    The S.U.V. approached the gated entrance to the military base, and the sniper automatically rolled down all the windows.

    “I need you to hand me your identification and exit the car,” the guard said.

    I reached for my wallet nervously, pulling out the numerous cards, shuffling through them to find my driver’s license, and handed it to the guard. He scanned my license in a daunting manner, looked at me, asked me to remove my hat, and looked back at the license.

    “I’ll need to see your passport,” the guard said, “and get out of the vehicle.”

    “Oh, yes, of course,” I said and reached back into my purse.

    I handed my passport to the guard and began to climbed out, but I was escorted from the back of the S.U.V. and stood in the freezing rain while two other guards ran two bomb-detecting wands under the body of the car will a third guard examined the undercarriage with a mirror. I watched the men examine the S.U.V. while a fifth guard physically patted me down.

    “Open the trunk,” the fifth guard said, “and open your luggage.”

    The guard emptied my luggage and rummaged through my intimate belongings with the unfamiliar hands of a stranger wearing an automatic rifle over his shoulder. I looked around and noticed there were no other women in sight.

    My gaze shifted towards the sky but stopped at the top of the fence that surrounded the base. At the highest point on the chain-linked fence sat a wildly bundled layer of barbed wire, stacked one foot tall like the topping of a vicious birthday cake.

    The guard reached out his hand slowly towards me, offering myI.DD. He looked me in the eyes and said softly, “I see your birthday is nine eleven, that sucks. Have a nice day. You’re free to go.”

    Tirich Mir.

    I emerged from the designated quarantine area sanctioned as a military contractor, hired to design clothing for the Special Operations Joint Services to keep them warm in the Hindu Kush mountain range of Afghanistan as they hunted the suspected perpetrator of the attack in New York City on the twin towers on Sept. 11, 2001.

    The sniper and recruiter were my entrees into the dark world of covert military operations and the men that carried out their missions. I learned that Special Operations Forces consisted of an atypical type of person like the hyena man and Mr. Bengal, selected for their unique emotional traits and distinctive temperaments. They were fiercely loyal to each other and their country and slightly paranoid. They were trained in highly choreographed scenarios to extract and kill, and they were now my clients and me their collaborator.

    Standing on the Natick Military base, I became overwhelmed with anxiety, conflicted by my ideology and the compromising nature of secrecy. In a split second, I rationalized that even professionally trained military killers deserved clothes that would keep them warm.

    I had an important job to do for my country, which meant turning camo into fashion and I would find a way to adapt. I hoped the Glocks would remain concealed.

    Natick aerial.jpg

    My skills were procured by the special operations office and like any true American, I needed the paycheck, so I accepted the mission.


    [1] Eno, Brian. Frantz, Christopher. Byrne, David Byrne. Harrison, Jerry. Weymouth, Tina. “Once In a Lifetime.” Warner Chappell Music, Inc, Universal Music Publishing Group

    [2] Bush, President George W.  “Airline Safety,” The Washington Post. 27 September 2001.

    [3] Stills, Steven. “Find the cost of Freedom,” B-side to “Ohio.”

    [4] Bates, Katharine Lee. “America the Beautiful.” 1893.

    [5] Bates.

    [6] Bates.

    [7] Key, Francis Scott. “The Star-Spangled Banner.” 14 Sept 1814.

    [8] Nike. 1988.

    [9] The North Face. 1990.

    [10] Patagonia. 2018.

    [11] Key.

    [12] Key.

    [13] Anonymous.

    [14] Bates.

    [15] Key.

  • A satirical description of K. Marx School of Business, MBAC 61984 Course Syllabus

    Satire

    BREAKING NEWS: Underground Marxist School of Business syllabus discovered in bike satchel of arrested political dissident. Mother claims “Literary Theory and Critical Thinking studies are turning my child into a monster.” Infiltration of Marxism on college campuses proven.

    Course Syllabus

    MBAC 61984 Business Strategy – Innovative Management of “Profit and Means of Production”

    Restricted to The Vanguard members and Master of Business Administration Candidates dedicated to overthrowing the bourgeoisie capitalist class.

    Location: “SIBERIA, Gulag 13,” in the Basement of Hellems Arts and Science Building
    Class Time: 12:00 PM – 12:50 PM
    Instructor: Ivan T. Errible
    Office Hours: Mondays after dark
    Email: commi@KMSB.edu

    Instructors Statement: Class struggle between the bourgeoisie capitalist and the worker stands as an iconic representation of human existence as illustrated by the continuous battle concerning the owners of the means of production and the labor power. Marx tells us that “work, thrift and greed are […] (the capitalists) three cardinal virtues,”[1] and hording is their primary goal. Workers do not own the tools or means of production. Therefore, this is an essental element in gaining control of both the labor time and surplus labor time, stripping the bourgeoisie of charms of creating profit out of nothing.

    When the KMSB graduate worker emerges into the capitalistic business world, it may be difficult to find comrades in arms who will join the movement against the exploitation of the proletariat. However, as a future “leader” of the Vanguard,[2] it will become increasingly important to recognize the exploited workers through group meetings and demonstrate the opportunities by which the means of their profit can be reclaimed. This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement.

    Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production

    This class intends to teach student comrades how to infiltrate privately owned enterprises, furthering the initial stage in the Vanguard movement. Upon graduation from this course, students will have the skills to influence workers actions by guiding them through the process of reclaiming the “Surplus Value” of their labor through transitioning privately owned tools and factories, to a lasting state-run, ruling proletarian party with nationalized ownership of the means of production.


    [1] Das Kapital, Vol 1, Part 1, Chapter 2

    [2] The Vanguard: the non-profit corporation of the KMSB proletariat movement, dedicated to avoiding taxes and operating with the use of free labor, donations from guilt ridden capitalists and state supported educational funding.

    You may find, at times, that the origins of your ivy league social class lingers and unduly attempts to influence your path, however, do not let these past systems of thought conflict with the goals of the Vanguard. The Vanguard recognizes that the organization of capitalism, as Marx tells us is “vampire-like ,(and) lives only by sucking living labor,”[1] therefore it seems to muddle the socialists thinking. Believe me when I say your role in the movement will put a stake through the heart of capitalism by expanding democratic centralism and rule by all.

    Additionally, through service to the philosophy of Marxism and the dictatorship of the proletariat, students in pursuit of eliminating growth and profit from the corporate structure will find this class leads to a full  understanding of how to take control of the means of production by the newly established worker run apparatus.

    Course Description: This course introduces students to the techniques of understanding reality, thoughts and emotions through the philosophy of Dialectical Materialism and the understanding of nature as a whole. Student struggles will be observed by the classroom collective and will be discussed in a joint ownership atmosphere with other students.

    This course may not be taken concurrently with MBAC 71984 or 81984 and may not be repeated. A grade of “D” or higher in MBAC 61984 is a prerequisite for subsequent advancement in the Vanguard movement.

    Required Texts and Materials:

    Karl Marx, Das Kapital (1867),Engles, Marx, Communist Manifesto (1848),Kim Jung-un, Perfect Brilliance: How to Starve the Populus to Garner Loyalty

    Office Hours: 1:30 am -4:30 am on Mondays located in Gulag 14, Hellems Basement (go down the east-west stairs until you reach the basement and turn left and walk in a circle until you hit the brick wall at the end of the hall). If you cannot make these hours, remember that increases in productivity results from cooperation, therefore these hours work for everyone.

    Grade Distribution:

    Agitating: 10%
    Participation / Dissent: 25%
    Book Burning: 40%
    Recruiting: 25%

    Course Requirements:

    Agitating Workshops: Probably the stuff you’re here for. We will perform agitating workshop readings, followed by play acting on a daily basis. You shall learn the exact words to use to gas light a crowd and cause law abiding citizens to act against their better judgement.

    Each workshop will be done in groups where individuals will receive constructive critique of their power of persuasion and each round’s requirements will be provide on the day of practice. The grades for these practice trainings will be based on how quickly a student can agitated another student.

    Participation / Dissent: You are required to do three participation and dissent activities and you will be given a chance to lead your own agitation rally. The length and location of the rally will be determined by the instructor. Whether the rally concerns disrupting the state apparatus or boycotting labor factories, dig in and try to find out what makes descension work. Do your best to be analytical. Outside academic cited sources should be used and are required.


    [1] Das Kapital, Vol 1, Part 3, Chapter 10

    Book Burnings: Most homework in this class will take the form of book burnings, particularly texts on democracy, freedom of speech, property ownership and voting rights. The specific book burnings will pertain to a counterrevolutionary piece we read that day. Your instructor may give you a creative prompt, something analytical to provide a catalyst for that day’s discussion and inspiration to begin the bonfire activities. I grade these activities on the basis of satisfactory completion of a collection of citywide book burning results.

    Recruiting Activities: At times we’ll practice recruiting activities in class, to mainly test a few strategies and get us into the mood for the next event. Occasionally you will be asked to take home and flesh out your strategies, in which case they ought to be planned in great detail and executed in secrecy.

    Final Portfolio: You will construct a final protest rally plan and recruit participants.

    Attendance, Punctuality and Late Work: Successful work in the K. Marx School of business is dependent upon regular recruitment of comrades to support the plight of the proletariat worker. Students who are unavoidably absent should make arrangements with the collective to make up the time missed. Failure to attend class and activities regularly may result in receipt of an F in a course and food sanctions for you and your family.

    Plagiarism: Everything you will need to know will be read in Das Kapital and the Communist Manifesto whose texts are well known. Plagiarism is not possible when only two books exist.

    Policies, Accommodations for Disabilities: If you qualify for accommodations because of a disability, do not bother submitting an accommodation letter because it has already been predetermined that accommodations based on documented disabilities in the revolutionary environment automatically disqualify comrades from leading teams.

    Religious Holidays: God does not exist.

    Honor Code: All students enrolled in a KMBS course are responsible for knowing and adhering to the Honor Code of Das Kapital and the Communist Manifesto. Violations of the policy may include: praying, reading other books, thinking your own thoughts, lying about your thoughts, not accepting a bribery offer, refusing to threaten new noncompliant recruits, unauthorized access to alternative reading materials, dishonest clicker fraud, executing the same or similar agitation rally’s in more than one city without permission from the course instructors and most importantly, an unwillingness to inform on personal friends who own the means of production.

    All incidents of misconduct will be reported to gulag guards who have a sixth-grade education and who happily bully any and all human beings, including women, children and infants.

    Students who are found responsible for violating the Das Kapital and the Communist Manifesto integrity policies will be subject to death by poison.

    Discrimination & Sexual Harassment: The KMSB remains committed to fostering intolerant acts of misconduct on the bourgeois class which includes assault, harassment, and stalking owners of means of labor. Individuals who believe they have been subject to retaliatory actions from a bourgeois owner of means of labor should report the incident to the Institutional Institute of Impartiality and Obedience (IIIO) and punitive action will be taken secretly in the dark of night.

    Class Schedule
    Subject to change based on classroom progress. Changes will be noted in class.

    Week One
    M. 8/27 – Introduction/Syllabus – Read syllabus out loud and sign a pledge of silence

    W. 8/29 – Direct Struggle
    Have Read: Marx Das Kapital, Section 1 (all), Section 2 (all)
    + Marx “Letter from Marx to Engels” (1867).
    + Anonymous Proletariat’s “Grief and How to Project Your Failings onto Others”

    F. 8/31 – Division of Labor
    Have Read: “Ford and the Assembly Line,” Chapter 3 (pg. 55-61) (Canvas)
    + Gehring, “The Use of Force and Dogma”
    + Stalin, “How to Talk to a Worker”

    Week Two
    M. 9/3 – LABOR DAY, NO CLASS, “The instrument of labor (in) the form of a machine […] becomes a competitor of the worker,”[1] therefore, burn a factory today.

    W. 9/5 – Production, Distribution and Consumption
    Have Read: Henry Ford’s, People as Machines, Chapter 6 (pg. 167-175)
    + Walt Disney, Building a Psychological Utopia, (How to fool all the people all of the time.)
    + Tolkien’s The Hobbit, Ch. 1 (How to recruit the unwilling with false promises.)

    F. 9/7 – Consumption
    Have Read: George Wallace’s “Incarnations of the Burned Worker” (179-181)
    + Poe’s “Tell Tale Heart,” (How to hide victims of book burnings.)

    Week Three
    M. 9/10 – The Antithesis of Use Value and Exchange Value
    Have Read: Hapsburg “The Czar’s Ghosts and their Jewels” (Lessons in how to use the trappings of the bourgeois to fund propaganda and agitation.)
    + Marx “The Poverty of Philosophy” (1847)

    W. 9/12 – Democratic Centralism
    Have Read: Das Kapital, Section 1 and 2, (again), (This is the most important page in the book.)
    + Poe’s “The Fall of the House of Usher,” (Lessons in how to drive bourgeois friend’s mad.)

    F. 9/14 – Workshop Preparation (Wear clothes and shoes you are willing to burn.)
    Turn in: FIRST BOOKBURNING REPORT


    [1] Das Kapital, Vol 1, Part 4, Chapter 15

    Week Four
    M. 9/17 – Religion and Wives Tales (Reasons to not waste time reflecting on spiritual ideals.)
    Have Read: Moscow Institute of Scientific Atheism, Chapter 9 (Pg. 1)

    + Lenin’s “How Religion Deprives People of “I” (Canvas)

    Week Five
    M. 9/24 – Group Agitation Workshop (Bring tools of disruption, e.g. baseball bats, hammers.)
    Have Read: Das Kapita,l Chapter 1, (again)

    +Kim Jong-un’s Propaganda and Misinformation Handbook
    Turn in: Agitation and Propaganda Rally Agenda, first draft

    FINALS WEEK
    Submit Agitation and Propaganda Rally Operation, final Time/Place TBD.

    Click these links to understand how Marxism and Marxist terms are used in the media.

  • The Nationless State of Junktopia

    I walked with hesitation down the path towards the Junktopia Alter, a place of worship that guarded The Great Bridge.

    A montage of artifacts walked the pathway without moving a muscle. The longitude and latitude flashed transparently in the heads-up display of my spectacles.  

    I imagined the smell of lavender hovering in the bay.

    In the distance the Bridge stood colorless, in need of recognition of its emptiness.

    The memory hurled me to the day The Great Bridge almost collapsed.

    The eyes of the unconscious biplane looked oppositionally at the myopic cockatoo that sat on my shoulder.

    My bird recognized the fascist symbol painted on the wheel of the biplane as a warning to go no further.

    My amygdala said “Run!” but I persisted onward.

    In the distance the Junktopia Alter remained its original color of distressed and burnt Tuscany auburn; looking like it was primed for a top coat of blood red paint.

    I thought of Catch 22 and its airplane that flew detached from the war without Yossarian on board who was long dead as a character and forgotten by middle school teachers and students.

    Along the path, a false messiah perched in a lifeless tree called to me longingly, beckoning for an apostle to gather a flock of followers.

    Her fuchsia and dark black mesh wings, torn and ravaged, desperately flapped in the turbine powered mechanical wind of capitalistic rule dominating the newly formed nationless state of Junktopia.

    In the distance, the lime, swampy grasslands filled with abandonment stood as shelter for the birds that no longer could fly. The decibels soaring from the speakers increased, projecting the vibrational reminiscence of the biplanes menacing history preparing to drop its deadly cargo on the unsuspecting living things resting below.

    I approached the alter and the vacant, ornamental glass bottles that guided the unlighted path began to shatter from the sonic sounds spilling overhead, the speakers positioned ubiquitously on the bridge.

    Jagged fragments threatened my jugular while the unsympathetic marsh called to me with a menacing howl.

    One, razor sharp, ragged edge of a fragmented bottle neck hung from the bridge rafters by a wire hangman’s noose; its rusted metal screw top like a decapitated democratic statesman, his fellow, screw top public servants looked on from the gallery.

    I had abandoned my map on the battlefield and my cell phone no longer recognized a charged. I felt lost although I was not.

    The Republic now rests as fragments of shattered glass reflected as graven images in the birds eye.

    The fascist symbol painted on the tail of the biplane, a relic of the final war, roared: “the number twelve,” with the sharpness of two major league football helmets cracking in collision. “The twelfth man,” it called out silently, a rhetorical souvenir of the war. “The fans did not offer a home advantage,” I shouted back.

    The weathered alter walls made of wooden fish bone skeletons were rotted from the salt sea air. I bowed down to the god of technology. The empty tin-soup-can minarets stood as apostates and a reminder that rations must be earned by the labors of my cellophane hope.

    I waited for the signal to perform the requisite incantations. The white whisker entrails of the metallic stork swimming in the expansive future flapped in the mechanical breeze along with the Messiah’s wings. The five-feet tall, hand-made paper stork hovering nearby narcissistically mocked its own self-absorbed symbol of fertility.

    No one knew how or when the Kangaroos had arrived in Junktopia.

    But, like the nationless human inhabitants, they were there to stay, because no one else wanted them.

  • Seattle Washington Union Bay Natural Wildlife Sanctuary

    The road taken on a New Year’s day. A reimagining of Robert Frost’s The Road Not Taken.

    The road taken down a mossy path on the first New Year’s Day.

    Where two birds converged in a browny wood with a sigh.

    Long I stood at the undergrowth.

    The path was bent and gravely but it had the better claim.

    Both were equal that morning but one was less traveled.

    The other was fair and without leaves trodden bare.

    Though the way leads to passing by and by.

    Somewhere traveling ages hence, the one traveled made all the sense.

    I regret there was only one road to travel.

    But, one road was taken that morning and I kept the other for another day.

  • The Gothtopian Island of Mont-Saint-Michel, France

    A creative nonfiction experience.

    I paused along the moss-clad path to Gothtopia’s altar, where worship lingered like incense in the ghostly ruins of Saint Michel’s basilica in Normandy. The damp perfume of aged wood and stone breathed through the centuries, pulling my soul through time’s fragile veil. I stepped first into the monastic refuge of 966 CE—then onward into the cold, stone prison of King Louis XI in 1472.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    The spirits of the exiled citizens whispered, “Run away,” yet I pressed forward. In the distance, the unforgiving door stood resolute, its distressed, burnt Tuscan auburn frame glinting beneath a lacquered sheen of blood-red defiance.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    A procession of artifacts drifted down the path, motionless yet advancing, as if carried by memory. Coordinates flickered across the heads-up display of my spectacles—longitude, latitude, fragments of direction. I had left my map on the battlefield, and my phone no longer held a charge. Though I was not truly lost, the world had misplaced me.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    The red lacquer door, a relic of a final warning, roared, “Open me!” Its cry rang like swords clashing in the hands of dying warriors. “The end is near,” it whispered in silence, the relic’s cruel souvenir. “The enemy offered no home advantage,” I answered, defiant against its echo.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    The unconscious masters ignored the printed enslaved, who begged for release from the fabric that bound them. I saw in the image a colonial warning—a reminder not to forget the past. I thought of the forced integration that tore children from their former lives as they boarded those buses. Their spirits have long since vanished, erased as characters and forgotten by their teachers and the system that failed them.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    Along the path, a messiah sat upon a fractured altar, her voice trembling as she called out for an apostle to gather the faithless flock. Her sword and wings—tattered, torn, and trembling—beat helplessly against the cold, mechanical wind of capitalistic dominion that had ruled over Gothtopia.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    As I drew near the altar, the hollow glass candles began to shatter under the prophet’s resonant cries. Razor-edged shards clashed around me. From below, the unfeeling Holy Mother wailed—a menacing summons that chilled the marrow of my faith.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    Through the monolithic arches, I saw the basilica—its nave filled with abandoned chairs, now nests for birds that had long forgotten how to fly. The Benedictine monks of 1790 CE were driven from the abbey by the revolutionaries, who also abolished the lettres de cachet, sealing the end of an era in French history.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    The altar walls, built from the skeletons of time, stood weathered and decaying beneath the assault of the salt-laden sea air. I knelt before the new god of technology, awaiting the signal that would permit the ritual, the digital incantation demanded by faith’s replacement.

    Around me, green moss and a viscera of pollution writhed through the mechanical vastness of the future, twining with the Messiah’s torn wings. Nearby, a self-adoring granite gargoyle hovered mockingly, its once sacred symbol of fertility now a caricature of its conceit.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    Razor-sharpened wrought-iron impalers stood in place like sentinels, their blackened stocks recalling the disappeared fallen heads of statesmen. The tattered public servants gazed on from the gallery, trapped in an echo of the past. Their ghosts, condemned to linger in the gallery, watch as history repeats itself. A vessel of broken time, the basilica endures its shattered moments. Her remembrance, reflected in graven images of the memory of Saint Michel and in the minds of the pilgrims.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    The vacant wrought-iron bars framed a prophecy: our daily debts are the rations earned through the labors of hope, fragile offerings, easily crushed by a king’s will. Lettres de cachet once sanctioned imprisonment or death without trial within Mont-Saint-Michel’s shadowed Gothtopia. Yet, in bitter irony, this violation of justice preserved the abbey from utter ruin.

    Mont Saint-Michel, France (Melodie Miller | Photographer)

    As I turned to leave, the narcissistic ghosts gathered—unseen yet impenetrable—blocking the windows and door. They pulsed with vibrations drawn from the basilica’s menacing past, its walls still breathing history. One by one, the apparitions released their lethal cargo of memories upon the living below—those drifting through their holidays, blissfully unaware, unwilling to remember.

    Mont-Saint-Michele, Normandy, France

    Mont-Saint-Michel, Normandy, France – History

    Visit Mont-Saint-Michel, Normandy, France

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  • “Let the Right One In”

    C.U. Presents closed its modern vampire love story to a packed house at the University of Colorado Loft Theatre in Boulder.

    Director Heather Kelley’s adaption of Jack Thorne’s play “Let the Right One In” completed its run to a sold-out theater on Sunday, Oct. 20, at the University of Colorado Loft Theatre.

    Based on the novel by John Ajvide Lindqvist, first love, sexual intimidation, and school bullying transcend the borders of time and space in “Let the Right One In.” Eli, a 200-year-old vampire fixed at the age of 12, befriends Oskar, their 13-year-old neighbor, on the playground where Eli is bullied by schoolmates in 1981 Sweden.

    The childhood friendship between Eli and Oskar is complex, creating “a dynamic narrative that centers on empathy and fighting for each other despite all the blood and scars,” Brosnan Bustamante, the stage manager said.

    Let the Right One In ”is a macabre story with a happy ending,” Scenic Designer, Haley Delich, a Bachelor of Fine Arts in Design, Technology, and Management said. Oskar is “dealing with bullying and first love,” and Eli “is trapped with the body and the mind of a child.”

    When Hakan dies, Oskar becomes Eli’s new companion, giving purpose to their lives.

    Situated in 1981 Blackeberg, Sweden, the playgrond was the setting where Hakan, Eli’s parent figure, killed and procured blood from his victims for the thirsty 12-year-old child.

    The emotional topics of the play demanded that stage manager Brosnan Bustamante, a C.U. student, ensure a smooth production. Brosnan prioritized a supportive environment. He minimized stress to keep the team focused on the performance.

    “It’s crucial that the stage, cast, and crew are functioning smoothly, especially in a production that is emotionally intense and technically demanding,” Bustamante said.

    Filled with death, blood and bulling, the setting is ironic as a playground but fitting as a place of horror, where children act as monsters.

    Delich designed the set to evoke a “bit of the horrors of growing up and outgrowing the playground,” she said.

    The cast of “Let the Right One In” take a bow at the close of their successful run.

    The minimalistic rusted monkey bar set, designed by Delich, was intended to “mirror the stark lives of the characters,” she said. The characters had outgrown the playground but were emotionally stuck in their childhood experiences where they faced bulling and isolation everyday in “Let the Right One In.”

    The 2024 C.U. Presents, “Let the Right One In,” is part of the Artists Series, which spans over 80 years on campus. Kelley is pursuing a PhD in Theatre & Performance Studies at C.U. Boulder.

    University Theatre Building, 261 University of Colorado, Boulder, CO 80302

  • Res Ball Actor and Comedian Dallas Goldtooth Uses Humor to Face Climate Change

    Humor offers a chance to challenge the narrative of marginalization. This is according to Dallas Goldtooth, Res Ball (film) actor and environmental activist, who spoke on Tuesday, Sept. 24, at the University of Colorado Macky Theater. Goldtooth mixed his signature storytelling and humor with advocacy, gaining the audience’s trust.

    “Buy American Spirit cigarettes,” he said when asked how non-indigenous allies can get involved.

    Goldtooth is known for his character William Spirit Knifeman in the FX series Reservation Dogs. He is also the founding member of the 1491’s comedy group. He joked with the Boulder audience and reminded them that solving the climate crisis means acting on a larger scale. The climate crisis disproportionately impacts Indigenous communities and other marginalized groups.

     “I’m sure all of you are really happy about your hybrid car that you’re driving or that you switched your light bulbs to LED lights. It’s great. But we have to remind ourselves as we understand that the causation of climate chaos is capitalism. It also means that the fight to protect this planet is much more than environmentalism,” Goldtooth said.

    The fight for climate change is a fight for liberation, according to Goldtooth. Many areas affected by climate chaos are marginalized communities. Their citizens often lack the power to influence what happens to the land. They have no voice regarding the water, the air, or their bodies. He encouraged the audience to help lift marginalized voices.

    “This will allow us to imagine a future that’s livable for everyone,” Goldtooth said.

    “Just bring people together around a common issue and let them talk with one another. You have right-wing ranchers, and you have left-leaning natives,” Goldtooth said, “working together to stop the Keystone XL pipeline to preserve clean water on their lands. I’m happy to say that we won the Keystone XL campaign.”

    Goldtooth amplified the importance of the world’s “climate chaos as an issue that we are all dealing with on this planet.” He softened the message with a personalized joke when asked how he began his career as an activist. Goldtooth told the audience, “Well, I was 13 pounds when I was born. So, my mom knew injustice.”

    Storytelling is a “big part of the organizing effort to make this planet better,” Goldtooth said. Humor provides the “opportunity for you to disrupt the narrative because all of our fields have been impacted” by marginalization. For example, the United States insurance companies secure capitalistic investments. Goldtooth told the audience that “insurance companies are complicit in the destruction of the earth.”

    Benny Shendo attended Goldtooth’s speech. He is the vice chancellor for Native American Affairs at the University of Colorado. Shendo is also a member of New Mexico’s Democratic Senate. “I think you will find humor across any country. I mean, it’s not any different in Pueblo or any different in Pani or any other tribe,” said Shendo.

    Phillip Gover is a Tribal Affairs Specialist for the Colorado Department of Human Service. He is an advocate for Indigenous Coloradoans and said, “I think Native Americans have always dealt with tragedy with a sense of humor. Most people would say, ‘What?’ Why would you laugh at that? If I’m not laughing, then I’m crying, and I’d rather be laughing.”

    Goldtooth uses joy and laughter to advocate for marginalized Native American communities disproportionately facing climate change.

    He is descended from the Minnesota Dakota/Diné (Navajo) tribe. He is a member of the Lower Sioux Indian Community. He is also a Dakota language instructor.

  • A Hawai’ian Creation Story

    Story interpreted by Melodie Miller | Designer | Illustrator

    In the beginning there was Po, the all-powerful Volcano.

    And, Keawe, the flaming spirit of the Volcano.  

    Surrounded by an abyss of empty darkness, together, they were alone.

    One day Keawe, speaking his mind said, “Po, it is not good that I am so alone.”

    “But we have always been alone together. It has always been our way. We are all powerful. We do not need another.” Po responded.

    The Flames of Many Voices living inside Volcano echoed Po’s warning, speaking with crackling and slapping flames, “Yes, Yes, Yes. It has always been our way, way, way. We are all powerful, powerful, powerful. We do not need another, another, another.”

    “But Po, I have no one to love.” Keawe said.

    “Keawe, what is this word you say, Love?” Po asked.

    “What is this word Love? What is this word Love? What is this word Love, Love Love?” the Flames echoed with the innocence of Many Voices, pushing and pulling at the walls of the Volcano.

    Time passed.

    Po did not want Keawe to be lonely, so he created Na Wahine for him to love.

    “Keawe, I am Na Wahine. I have been waiting, alone for a long time, inside your heart. I am here now to share your love.” she said.

    “Why did you not come sooner?” Keawe asked?

    “Because you did not call for me.” she answered.

    Looking down upon Keawe and Na Wahine, Po said, “Together you will rule. And, it is good.”

    Then with a rumbling of the Volcano, Po commanded, “From your love, bring forth life to help you govern the heavens and the earth; bring forth beauty and all things will be good.”

    Through Na Wahine, Keawe brought forth four sons.

    The first son was Kane, the god of the sky and all that it is.

    The second son was Ku, the god of war and peace; and Kanaloa, the god of all things in and of the ocean;.

    The third son was Kanaloa, the god of all things in and of the ocean.

    The fourth son was Lono the god of the land and that which it brings forth, the harvest and its bounty.

    Along the walls of the Volcano the envious Flames of Many Voices became angry and agitate. The Flames of Many voices felt alone because Keawe was not alone.

    “Call for me. Call for me. Call for me,” the Flames of Many Voices echoed.

    But Keawa did not answer.

    Time passed.

    “Four daughters will be yours,” Po said.

    Your first-born daughter, Laka, will bring the hula, the language of the heart.” Po said. “Laka will keep the story; abide by her words.”

    “Your second daughter Hina will give you sanctuary from danger, stand on her as a rock when in need.”

    “Your third daugher, hot tempered Kapo will govern furiously with her brother Kanaloa. Be remembered by Kapo when you are hungry and lost, she will feed you and lead you home.”

    The fourth daughter, Papa, “will rule all of nature with beauty beyond words. Anyone who looks upon her, even in her rage, will feel her power.” Po said.

    Papas natural beauty will overpower the gazers senses, and none will find the strength to resist her.

    “Once the beauty of Papa is gazed upon, she will enchant their heart forever,” Po said.

    The Flames of Many Voices gazed upon Papa and were stricken with love for her natural beauty, which was beyond challenge, thus they were lonely no more, They were enchanted.

    To this day, anyone who looks upon the nature of Papa and the beauty of the Islands, will not have the strength to resist her love. Hawai’i will live in their hearts for eternity.  

    This is the creation story of the enchanting lands of Hawai’i, her captivating love and irresistible beauty.

  • Proposition 127: The end of lion hunting in Colorado?

    Mountains northeast of Durango brings fourth-highest harvest of mountain lions

    By Colorado Student News Service

    Friday, Nov 1, 2024 11:00 AM Updated Friday, Nov. 1, 2024 5:59 PM

    Records from Colorado Parks and Wildlife shows 2,600 hunters killed 502 mountain lions in 2022-2023, the most recent period for which statistics are available. (Courtesy of the National Parks Service, via The Colorado Sun)

    In the early morning chill of Colorado’s rugged wilderness, the rhythmic panting of hounds echoes through the trees as they close in on their elusive target, a mountain lion.

    For hunters, the video from a Durango outfitter, shows a moment steeped in tradition and survival skills, but such moments may soon disappear from the Colorado landscape. On Nov. 5, voters will decide the fate of mountain lion and bobcat hunting in Colorado, with Proposition 127 seeking to ban the practice entirely.

    The group “Cats Aren’t Trophies” gathered about 188,000 signatures to put a measure on the November ballot.

    While the group’s name references “trophies,” Colorado Parks and Wildlife considers trophy hunting to be illegal in Colorado. Hunters are expected to eat and use what they kill, based on a hunting brochure from the state agency.

    Public records from the state agency show a highly regulated hunting environment where 2,600 hunters killed 502 cats in 2022-2023, the most recent period for which statistics are available.

    The fourth highest number of mountain lions killed – 11 – came from an area in the mountains northeast of Durango and La Plata County. The rest of the mountain lions killed around the state were in the single digits, mostly in remote, mountainous areas.

    The 21 mountain lions killed in a remote area northeast of Meeker in 2022-2023 was the largest number for any area in Colorado, based on public records provided by Kara Van Hoose, a Colorado Parks and Wildlife spokeswoman. The next largest number of mountain lions killed were in a mountainous southern part of the state near Interstate 25, where 16 were killed in one Colorado Parks and Wildlife statistical area and 15 were killed in the neighboring area. Colorado Parks and Wildlife maps do not follow county lines around the state but are numbered by region.

    Van Hoose declined to comment on specific questions related to Proposition 127 so as to remain neutral during the election period. She declined to comment on how current legal hunts affect the economy or how banning mountain lion hunts could affect wildlife and cattle, among other things. Colorado Parks and Wildlife started regulating hunting licenses for mountain lions in 1965 after the mountain lion population declined, according to information on the state agency’s website.

    Van Hoose said that Colorado Parks and Wildlife surveys wildlife populations by helicopter, among other things, to decide how many licenses will be available to hunters every year.

    “We set licenses depending on a lot of different factors. There are environmental factors and external factors,” Van Hoose said.

    The most emotional part of the hunting discussion appears to be how some Colorado outfitters use GPS-collared dogs to track and hunt mountain lions. Hound hunting is legal in Colorado.

    Some 88% of Colorado residents disapprove of hunters using dogs to help with hunting and 78% disapprove of “trophy hunting” of mountain lions, according to an August Colorado State University study published in the Society for Conservation Biology journal.

    Kelly Maher, a Colorado hunter, said she teaches her children to honor the animals that the family hunts “by consuming and using every part of the animal.” She said proponents of Proposition 127 don’t like the hound hunting, “but the cat needs to be stationary to identify its sex and status.”

    The people who gathered signatures to get Proposition 127 on the ballot feel that hunting mountain lions with GPS-equipped dogs “gives our hunters a bad name for violations of fair chase,” according to Mark Surls, the volunteer and outreach coordinator for the group.

    A group supporting continued mountain lion hunting is called Colorado’s Wildlife Deserve Better, which includes funding help from the Colorado Cattlemen’s Association and the Colorado Wool Growers Association. And the Board of Mesa County Commissioners in Grand Junction unanimously approved a resolution opposing Colorado Proposition 127 on Tuesday, Sept. 24.

    Colorado Parks and Wildlife requires hunters to take an exam and buy a license to hunt mountain lions. About 3,800 to 4,400 mountain lions live in Colorado, according to the state agency, but most people never see them because they’re active at night.

    About the Colorado Media Project

    The University of Colorado journalism program has a $10,000 grant from the Colorado Media Project, as you know, and we’re working with eight newsrooms this semester in rural and underserved communities mostly around the Western Slope, including The Journal, Ark Valley Voice, Aspen Times, Bucket List Community Café, Colorado Newsline, Denver Urban Spectrum, Rio Blanco Herald Tribune, Sopris Sun/Sol del Valle and Enterate Latino.

    Readers can the Colorado Media Project and the class by contacting Elizabeth Potter and the students at elizabeth.potter@colorado.edu.

    Colorado Media Project | Courtesy of Colorado Media Project

    Common Sense Institute Colorado, a nonpartisan group interested in protecting Colorado’s economy, reports that Proposition 127, if passed, would cause an overall “$4 million to $6.2 million in lost Colorado Parks and Wildlife revenue.”

    Of the total, the Common Sense group says there would be a direct loss of $410,000 from mountain lion and bobcat hunting licenses. The group estimates that Colorado Parks and Wildlife would lose a separate $3.6 to $5.8 million in elk and deer hunting permit revenue because the increased mountain lion population would keep the elk and deer population down.

    Reporting by Adair Teuton, Bella Hammond, Caniya Robinson, Jackson Jupille, Lincoln Roch and Melodie Miller.

    https://www.the-journal.com/articles/proposition-127-the-end-of-lion-hunting-in-colorado/

  • Sunflower Farm Founder Podcast

    It was early morning on a crisp, cold, sunny Sunday in November on the 55-acre Sunflower Farm. Founder John Roberts fed wood to the crackling campfire to warm the Farmfest guests. Community members of all ages come to the sustainable farm to roam among the magical forest and farm animals.

    The farm is a healing “resting place for the community,” Roberts said. You can come as a family “to mingle with others that you never would have otherwise met.” The farm creates connections and an “intertwining of community that I think is beneficial.”

    Roberts earned a bachelor’s degree in English from Colorado Mesa University. He taught at a primary school in Moshi, Tanzania, Africa. While in Moshi, he observed the benefits of outdoor-based learning. “The students plant seeds in the spring. By the end of the summer, they see the benefits of their participation in the farm. “

    The children spend more than half their learning time out of doors. They play with the worms in the dirt and “begin to understand where their food comes from,” Liz Napp, the executive Sunflower Farm and Sunflower Farm Acres, said.

    The farm is like an outdoor living room where Roberts introduces his guests to over 100 farm animals. “When I lived in Washington D.C., I realized that spaces are important,” Roberts said. “Over the last 25 years, I’ve created spaces for visitors to experience different things,” while enjoying the farm.

    In 2024, Sunflower Farm became a production farm with an educational vision to immerse children in nature, land conservation and farming. Jacob McGuire, operations manager of Sunflower Farm Acres, said the children are “getting more than just the curriculum” as they navigate the property. They are “participating in preserving nature.”

    As a conservation easement, Sunflower Farm is “required through contract to preserve much of the nature that exists,” McGuire said. This means no new structures can be built on the farm, so the preschool cannot grow.

    But there are other ways the farm can grow its contribution to the community. Healthy soil grows nourishing food, so Roberts is committed to working with aspiring local farmers.

    We are “planning to expand educational internships focusing on regenerative farming practices,” McGuire, who has a master’s degree in international human rights from the University of Denver, said.

    Roberts bought the homestead in 2002. It had a rundown farmhouse. However, Robert’s four children and their friends loved the place. Roberts, a master builder, improved the property, created the community spaces, and formed a preschool.

    Roberts goal was to preserve the open space of the farm. He built winding pathways for visitors to explore a hay maze, a grain silo, and a twin-engine airplane. Guests can wander between hand-split wood enclosures where friendly goats and ponies greet everyone.

    The farming and animal setting creates an “easy learning environment for kids to participate and they are eager to participate,” Roberts said. While planting pumpkin seeds, the children count and improve their “dexterity, and they’re also learning.”

    Looking to the future, Roberts said, “You know, I don’t think there’s going to be another Sunflower Farm. The business model does not financially support” the preschool.

    “I was raised poor, so money is not a motivating factor for me. Otherwise, I would have sold this farm years ago and retired.” Roberts said. “But I’ve made a commitment of myself to do this for the community. This is my purpose.”

    Visitors are welcome at the Sunflower Farm in Longmont Colorado with reservations.

  • The Heartbeat of the Powwow at the University of Colorado at Boulder

    The Heartbeat of the Powwow returned to the University of Colorado at Farrand Field on Sept. 28, 2024. (Melodie Miller | Photographer)

    Listen to powwow musician Tony Crank at the University of Colorado Farrand Field Sept. 28, 2024. The Colorado American Indian Tribes In-State Tuition Act (CO SB 21-029) was passed to allow eligible students to pay in-state tuition at Colorado public universities and colleges.(Melodie Miller | Photographer)

    I went to historic Farrand Field on the University of Colorado campus in Boulder for the 2024 Native American powwow. It was a beautiful bluebird day without a cloud in the sky. The campus was built on the traditional territories and homelands of the Arapaho, the Cheyenne, and the Ute nations. The powwow is part of the universities commitment to continually improving and enhancing engagement with indigenous peoples locally and nationwide. It is the first powwow on campus in 23 years.

    Farrand Field was named after Livingston Farrand, the university’s fourth president who served from 1914 to 1919.

    After 23 years, the powwow returns to campus as a celebration of faith and tradition for the indigenous peoples of Colorado.

    The 2024 CU Boulder Powwow was organized by the Oyate Native American and Indigenous Student Organizations on campus. It was a collaboration between the Center for Inclusion and Social Change (CISC), the Center for Native American and Indigenous Studies (CNAIS), the Oyate Native American and Indigenous student group and the native Graduate Student Group and the Theater and Dance Department.

    Cultural etiquette was encouraged with guidelines posted as reminders for the audience. The aim was to elevate understanding and sensitivity towards respecting the customs of Native American nations.

    Cultural etiquette is a unique set of understandings that guide people when interacting in different societies. At the powwow, these guidelines include not touching the dancers, their regalia, instruments or fallen feathers. “Do no ask for cultural details that are not offered even with good intentions.” Sensitivity and respect for these norms fosters positive cross-cultural understanding and connection.

    Grand entry for the powwow. (Melodie Miller | Photographer)

    After 23 years, the powwow returns to campus as a celebration of faith and tradition for the indigenous peoples of Colorado. The grand entry victory song and two rounds of intertribals.

    Saydie Sago told me she went to the last powwow 23 years ago, in 2001 with her parents when she was a small child. We are “bringing some Cheyenne, and Rapaho community from northern Rapajo members, southern Rapaho members, and Cheyenne members to come dance and be a partner. Of course, they were part of one of the many tribes that are historically tied to this part of the land and also Colorado. So we are inviting them back to their ancestral lands,” Sago said.

    Saydie Sago, one of the powwow organizers, is a fourth year PhD student here at CU. (Melodie Miller | Photographer)

    “I know that my parents, I think, have actually been to the powwow 23 years ago. So it’s really nice to see it coming back, Redhorse said. “I’ve been going to powwows ever since I was one of the tiny tots. My mom put me in a jingle dress dance, and I got up on the dance floor. I really hope we can continue this ongoing tradition.”

    Shaleen Redhorse is an aerospace engineering student here at CU. She danced powwows when she was younger. (Melodie Miller | Photographer)

    I spoke with CU graduate Benny Shendo, the vice chancellor of Native American Affairs, about the future for native american students in states outside of Colorado.

    “We only have two federally recognized tribes here in the state of Colorado. But then there’s 46 other tribes that have historical connection to the state of Colorado,” Shendo said. Colorado state “passed the law signed by the governor that will allow any students from those tribes to come into state tuition. Not only will this increase our Native American enrollment, both undergraduate, graduate, but also faculty and staff.”

    “It’s a new day,” Shendo said. “It’s a new day, you know, it’s for us, and we’re hoping to elevate the presence of our native students at all levels.”

    CU graduate Benny Shendo, the vice chancellor of Native American Affairs is a state senator for New Mexico. (Photograph courtesy of Common Ground Rising.org Blog)

    Powwow Gallery

    Welcome to the 2024 Powwow on the University of Colorado at Boulder campus. This event offers an exhilarating experience that spans 200 years of cultural history . Every moment is an opportunity to witness and partake in the spiritual ceremony of the powwow. (Melodie Miller | Photographer)

    The University of Colorado Boulder is a public research university in Boulder, Colorado. It was founded in 1876, five months before Colorado became a state. Colorado’s flagship university honors and recognizes the many contributions of Indigenous peoples in the state. The university acknowledges that it is located on the traditional territories of the Cheyenne, Arapaho, and Ute. It is also on the ancestral homelands of many other Native American nations. The university is dedicated to recognizing and amplifying the voices of Indigenous CU Boulder students, staff, faculty and their work.

    Powwow Staff: https://cuboulder2024powwow.my.canva.site/

  • Game in Luxury at the University of Colorado in Boulder

    The Alienware Lounge at the Colorado Memorial Center on C.U. campus. (Melodie Miller / Photographer)

    Game in luxury with state of the art Dell software can be found at the University of Colorado, Boulder lounge on the first floor of the Colorado Memorial Center. The gaming lounge is open seven days a week.

    The Alienware Lounge features custom designed chairs for long periods of sitting. (Melodie Miller / Photographer)

    The University of Colorado teamed up with Alienware, a hardware subsidiary brand of Dell in 2023 to build the second collegiate facility in the nation. According to the University, the 1,275-square-foot space inside the UMC was renovated with a $1.2 million donation from Dell Technologies and Intel.

    The Alienware Lounge offers numerous games and open seating for up to one hour per session. Watch the Youtube video for a view of the facility. https://youtu.be/Dpi8Z01Gqcg (Melodie Miller / Photographer)

    The luxury Alienware Lounge has 19 gaming desktops, three gaming laptops, and a console area that can comfortably seat up to 4 gamers. C.U. students receive 10 free days passes on their first visit.

    Adam Pallas, is the senior coordinator for gaming programs at C.U. Boulder. (Melodie Miller / Photographer).

    Building a community at Alienware is one goal of the Center for Student Involvement at C.U. “I am full time. I am part of our Center for Student Involvement, which is where our gaming lounge is housed,” Senior Coordinator for Gaming Programs, Adam Pallas said. “I was brought on to the University in August 2023, prior to the opening of the gaming lounge, and I’ve been with it since then.”

    UCM Alienware Lounge entrance. (Melodie Miller / Photographer).

    Alienware hosts in person gaming night once per month with free pizza and tonight its Minecraft Bingo. “Minecraft is not normally a competitive game, but we thought we could make it competitive by doing the Bingo competition,” Pallas said.

    Minecraft ( http://www.minecraft.net/en-us/aboutminecraft )

    Accept the Minecraft bingo challenge? Achieve 5 down, 5 across or 6 diagonally and win the game.

    How to play Minecraft Bingo ( https://minecraftbingo.com/?s=3-0-0-4_56400 )

    Mojang Studios, a video game developer based in Sweden introduce Minecraft in May 2009 as a sand-box-style where players could freely explore, interact with others and create. The idea is that people can experiment by playing survival or creative modes. Mojang Studios sold Minecraft to Microsoft Gaming in 2014 for $2.5 billion dollars.

    Graphic was designed and developed with Piktochart. (Melodie Miller / Designer).

    Minecraft has evolved over the years but it remains a sandbox-style video game that gives players a lot of freedom to explore, interact, and create virtual worlds without following a set objective. It is an environment where players build and explore virtual worlds by discovering and extracting raw materials with craft tools and machines.

    Minecraft landing page( https://www.xbox.com/en-US/games/store/minecraft/9MVXMVT8ZKWC/0010 )

    Eli Grimm is a sophomore at C.U. majoring in engineering. His favorite game is Minecraft because it is a “creative game to play with your friends,” Grimm said. “Its a great way to connect with people. If you have close friends, but you guys live far away, you could play some games together. It’s something that’s social.”

    Eli Grimm, C.U. gamer and engineering major. (Melodie Miller / Photographer)

    The Alienware Lounge is “sponsored by Dell Alienware. So we have these amazing rigs. These are top of the line computers that would cost several thousand dollars to make on your own,” student gaming event planner, Jesse Helser said.

    Jesse Helser is a student gaming event planner at the Alienware Lounge at C.U. (Melodie Miller / Photographer)

    C.U. student, Colin Stewart, a junior majoring in psychology said, “My goal tonight is to win. This is the second time I’ve been here. I participated in the first event of this semester and I honestly have my own gaming PC in my dorm. But I enjoy coming out here.”

    Colin Stewart, is a junior majoring in psychology at the University of Colorado in Boulder. (Melodie Miller / Photographer)

    Although C.U. offers 50 games, Minecraft has become the best selling video game world wide since its release in 2009. Sales topped at 300 millions copies sold as of 2024 and according to Xbox, there are nearly 170 million monthly players exploring the critically acclaimed virtual worlds.

    A C.U. student played a video game as his friends sitting near by joined in the same battle. (Melodie Miller / Photographer)

    The Alienware gaming lounge is a place created for fun and competition that offers students the opportunity to team build playing on high-tech gaming equipment. They can grow a community of gamers facilitated by the Center for Student Involvement 7 days a week.

    UMC Alienware gaming lounge. (Melodie Miller / Photographer) https://www.colorado.edu/involvement/gaming-lounge

    The Alienware Lounge is a place of community where friends can join in video games for relaxation and enjoyment. Students will find Alienware hours and coming events on the website.